Rowland listened to this outbreak, as he often had occasion to listen to
Roderick’s heated monologues, with a number of mental restrictions. Both
in gravity and in gayety he said more than he meant, and you did him
simple justice if you privately concluded that neither the glow of
purpose nor the chill of despair was of so intense a character as his
florid diction implied. The moods of an artist, his exaltations
and depressions, Rowland had often said to himself, were like the
pen-flourishes a writing-master makes in the air when he begins to set
his copy. He may bespatter you with ink, he may hit you in the eye, but
he writes a magnificent hand. It was nevertheless true that at present
poor Roderick gave unprecedented tokens of moral stagnation, and as for
genius being held by the precarious tenure he had sketched, Rowland was
at a loss to see whence he could borrow the authority to contradict him.
He sighed to himself, and wished that his companion had a trifle more
of little Sam Singleton’s evenness of impulse. But then, was Singleton
a man of genius? He answered that such reflections seemed to him
unprofitable, not to say morbid; that the proof of the pudding was
in the eating; that he did n’t know about bringing a genius that had
palpably spent its last breath back to life again, but that he was
satisfied that vigorous effort was a cure for a great many ills that
seemed far gone. “Don’t heed your mood,” he said, “and don’t believe
there is any calm so dead that your own lungs can’t ruffle it with a
breeze. If you have work to do, don’t wait to feel like it; set to work
and you will feel like it.”
“Set to work and produce abortions!” cried Roderick with ire. “Preach
that to others. Production with me must be either pleasure or nothing.
As I said just now, I must either stay in the saddle or not go at all.
I won’t do second-rate work; I can’t if I would. I have no cleverness,
apart from inspiration. I am not a Gloriani! You are right,” he added
after a while; “this is unprofitable talk, and it makes my head ache. I
shall take a nap and see if I can dream of a bright idea or two.”
Public-domain text, read in full here on John Shaqi.
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