“Married this morning, at seven o’clock, le plus tranquillement du
monde, before three or four persons. The young couple left Rome an hour
afterwards.”
For some moments this seemed to him really terrible; the dark little
drama of which he had caught a glimpse had played itself out. He had
believed that Christina would resist; that she had succumbed was a proof
that the pressure had been cruel. Rowland’s imagination followed her
forth with an irresistible tremor into the world toward which she was
rolling away, with her detested husband and her stifled ideal; but it
must be confessed that if the first impulse of his compassion was
for Christina, the second was for Prince Casamassima. Madame Grandoni
acknowledged an extreme curiosity as to the secret springs of these
strange doings: Casamassima’s sudden dismissal, his still more sudden
recall, the hurried private marriage. “Listen,” said Rowland, hereupon,
“and I will tell you something.” And he related, in detail, his last
visit to Mrs. Light and his talk with this lady, with Christina, and
with the Cavaliere.
“Good,” she said; “it ‘s all very curious. But it ‘s a riddle, and I
only half guess it.”
“Well,” said Rowland, “I desire to harm no one; but certain suppositions
have taken shape in my mind which serve as a solvent to several
ambiguities.”
“It is very true,” Madame Grandoni answered, “that the Cavaliere, as he
stands, has always needed to be explained.”
“He is explained by the hypothesis that, three-and-twenty years ago, at
Ancona, Mrs. Light had a lover.”
“I see. Ancona was dull, Mrs. Light was lively, and--three-and-twenty
years ago--perhaps, the Cavaliere was fascinating. Doubtless it would be
fairer to say that he was fascinated. Poor Giacosa!”
“He has had his compensation,” Rowland said. “He has been passionately
fond of Christina.”
“Naturally. But has Christina never wondered why?”
“If she had been near guessing, her mother’s shabby treatment of him
would have put her off the scent. Mrs. Light’s conscience has apparently
told her that she could expiate an hour’s too great kindness by twenty
years’ contempt. So she kept her secret. But what is the profit of
having a secret unless you can make some use of it? The day at last came
when she could turn hers to account; she could let the skeleton out of
the closet and create a panic.”
“I don’t understand.”
“Neither do I morally,” said Rowland. “I only conceive that there was a
horrible, fabulous scene. The poor Cavaliere stood outside, at the
door, white as a corpse and as dumb. The mother and daughter had it out
together. Mrs. Light burnt her ships. When she came out she had three
lines of writing in her daughter’s hand, which the Cavaliere was
dispatched with to the prince. They overtook the young man in time, and,
when he reappeared, he was delighted to dispense with further waiting. I
don’t know what he thought of the look in his bride’s face; but that is
how I roughly reconstruct history.”
Public-domain text, read in full here on John Shaqi.
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