Mrs. Light, with a sigh, returned to the statues, and after mistaking
the Adam for a gladiator, and the Eve for a Pocahontas, declared that
she could not judge of such things unless she saw them in the marble.
Rowland hesitated a moment, and then speaking in the interest of
Roderick’s renown, said that he was the happy possessor of several of
his friend’s works and that she was welcome to come and see them at his
rooms. She bade the Cavaliere make a note of his address. “Ah, you ‘re
a patron of the arts,” she said. “That ‘s what I should like to be if
I had a little money. I delight in beauty in every form. But all these
people ask such monstrous prices. One must be a millionaire, to think
of such things, eh? Twenty years ago my husband had my portrait painted,
here in Rome, by Papucci, who was the great man in those days. I was in
a ball dress, with all my jewels, my neck and arms, and all that. The
man got six hundred francs, and thought he was very well treated. Those
were the days when a family could live like princes in Italy for five
thousand scudi a year. The Cavaliere once upon a time was a great
dandy--don’t blush, Cavaliere; any one can see that, just as any one can
see that I was once a pretty woman! Get him to tell you what he made a
figure upon. The railroads have brought in the vulgarians. That ‘s what
I call it now--the invasion of the vulgarians! What are poor we to do?”
Rowland had begun to murmur some remedial proposition, when he was
interrupted by the voice of Miss Light calling across the room, “Mamma!”
“My own love?”
“This gentleman wishes to model my bust. Please speak to him.”
The Cavaliere gave a little chuckle. “Already?” he cried.
Rowland looked round, equally surprised at the promptitude of the
proposal. Roderick stood planted before the young girl with his arms
folded, looking at her as he would have done at the Medicean Venus. He
never paid compliments, and Rowland, though he had not heard him speak,
could imagine the startling distinctness with which he made his request.
“He saw me a year ago,” the young girl went on, “and he has been
thinking of me ever since.” Her tone, in speaking, was peculiar; it had
a kind of studied inexpressiveness, which was yet not the vulgar device
of a drawl.
“I must make your daughter’s bust--that ‘s all, madame!” cried Roderick,
with warmth.
“I had rather you made the poodle’s,” said the young girl. “Is it very
tiresome? I have spent half my life sitting for my photograph, in every
conceivable attitude and with every conceivable coiffure. I think I have
posed enough.”
“My dear child,” said Mrs. Light, “it may be one’s duty to pose. But as
to my daughter’s sitting to you, sir--to a young sculptor whom we don’t
know--it is a matter that needs reflection. It is not a favor that ‘s to
be had for the mere asking.”
Public-domain text, read in full here on John Shaqi.
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