A few days later Rowland presented himself, as civility demanded, at Mrs. Light’s door. He found her living in one of the stately houses of the Via dell’ Angelo Custode, and, rather to his surprise, was told she was at home. He passed through half a dozen rooms and was ushered into an immense saloon, at one end of which sat the mistress of the establishment, with a piece of embroidery. She received him very graciously, and then, pointing mysteriously to a large screen which was unfolded across the embrasure of one of the deep windows, “I am keeping guard!” she said. Rowland looked interrogative; whereupon she beckoned him forward and motioned him to look behind the screen. He obeyed, and for some moments stood gazing. Roderick, with his back turned, stood before an extemporized pedestal, ardently shaping a formless mass of clay. Before him sat Christina Light, in a white dress, with her shoulders bare, her magnificent hair twisted into a classic coil, and her head admirably poised. Meeting Rowland’s gaze, she smiled a little, only with her deep gray eyes, without moving. She looked divinely beautiful. CHAPTER V. Christina The brilliant Roman winter came round again, and Rowland enjoyed it, in a certain way, more deeply than before. He grew at last to feel that sense of equal possession, of intellectual nearness, which it belongs to the peculiar magic of the ancient city to infuse into minds of a cast that she never would have produced. He became passionately, unreasoningly fond of all Roman sights and sensations, and to breathe the Roman atmosphere began to seem a needful condition of being. He could not have defined and explained the nature of his great love, nor have made up the sum of it by the addition of his calculable pleasures. It was a large, vague, idle, half-profitless emotion, of which perhaps the most pertinent thing that may be said is that it enforced a sort of oppressive reconciliation to the present, the actual, the sensuous--to life on the terms that there offered themselves. It was perhaps for this very reason that, in spite of the charm which Rome flings over one’s mood, there ran through Rowland’s meditations an undertone of melancholy, natural enough in a mind which finds its horizon insidiously limited to the finite, even in very picturesque forms. Whether it is one that tacitly concedes to the Roman Church the monopoly of a guarantee of immortality, so that if one is indisposed to bargain with her for the precious gift, one must do without it altogether; or whether in an atmosphere so heavily weighted with echoes and memories one grows to believe that there is nothing in one’s consciousness that is not foredoomed to moulder and crumble and become dust for the feet, and possible malaria for the lungs, of future generations--the fact at least remains that one parts half-willingly with one’s hopes in Rome, and misses them only under some very exceptional stress of circumstance. For