The bust was in fact a very happy performance, and Roderick had risen to
the level of his subject. It was thoroughly a portrait, and not a vague
fantasy executed on a graceful theme, as the busts of pretty women, in
modern sculpture, are apt to be. The resemblance was deep and vivid;
there was extreme fidelity of detail and yet a noble simplicity.
One could say of the head that, without idealization, it was a
representation of ideal beauty. Rowland, however, as we know, was not
fond of exploding into superlatives, and, after examining the piece,
contented himself with suggesting two or three alterations of detail.
“Nay, how can you be so cruel?” demanded Mrs. Light, with soft
reproachfulness. “It is surely a wonderful thing!”
“Rowland knows it ‘s a wonderful thing,” said Roderick, smiling. “I can
tell that by his face. The other day I finished something he thought
bad, and he looked very differently from this.”
“How did Mr. Mallet look?” asked Christina.
“My dear Rowland,” said Roderick, “I am speaking of my seated woman. You
looked as if you had on a pair of tight boots.”
“Ah, my child, you ‘ll not understand that!” cried Mrs. Light. “You
never yet had a pair that were small enough.”
“It ‘s a pity, Mr. Hudson,” said Christina, gravely, “that you could
not have introduced my feet into the bust. But we can hang a pair of
slippers round the neck!”
“I nevertheless like your statues, Roderick,” Rowland rejoined, “better
than your jokes. This is admirable. Miss Light, you may be proud!”
“Thank you, Mr. Mallet, for the permission,” rejoined the young girl.
“I am dying to see it in the marble, with a red velvet screen behind
it,” said Mrs. Light.
“Placed there under the Sassoferrato!” Christina went on. “I hope you
keep well in mind, Mr. Hudson, that you have not a grain of property in
your work, and that if mamma chooses, she may have it photographed and
the copies sold in the Piazza di Spagna, at five francs apiece, without
your having a sou of the profits.”
“Amen!” said Roderick. “It was so nominated in the bond. My profits are
here!” and he tapped his forehead.
“It would be prettier if you said here!” And Christina touched her
heart.
“My precious child, how you do run on!” murmured Mrs. Light.
“It is Mr. Mallet,” the young girl answered. “I can’t talk a word of
sense so long as he is in the room. I don’t say that to make you go,”
she added, “I say it simply to justify myself.”
Rowland bowed in silence. Roderick declared that he must get at work and
requested Christina to take her usual position, and Mrs. Light proposed
to her visitor that they should adjourn to her boudoir. This was a
small room, hardly more spacious than an alcove, opening out of the
drawing-room and having no other issue. Here, as they entered, on a
divan near the door, Rowland perceived the Cavaliere Giacosa, with his
arms folded, his head dropped upon his breast, and his eyes closed.
“Sleeping at his post!” said Rowland with a kindly laugh.
Public-domain text, read in full here on John Shaqi.
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