Roderick, the last of the Goths : $b A tragic poemSouthey, Robert
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Roderick, the last of the Goths : $b A tragic poem
Southey, Robert
Roderick, King of the Visigoths, -711? -- Poetry
“The other church (or chapel) which King Alonso el Casto ordered to be
built on the south side of the Iglesia Mayor (or cathedral), was with
the advocation of the Glorious Archangel St. Michael. And in order that
he might elevate it, he placed under it another church of the Virgin and
Martyr St. Leocadia, somewhat low, and vaulted with a strong arch, to
support the great weight which was to be laid upon it. The king’s motive
for thus elevating this church of St. Michael, I believe certainly to
have been because of the great humidity of that land. He had determined
to place in this church the famous relics of which we shall presently
speak, and the humidity of the region is so great, that even in summer
the furniture of the houses on high ground is covered with mold. This
religious prince therefore elevated the church with becoming foresight
for reverence and better preservation of the precious treasure which
was therein to be deposited. For this reason they call it Camara, (the
chamber,) and for the many and great relics which it contains, it has
most deservedly the appellation of Holy. You ascend to it by a flight
of twenty-two steps, which begin in the cross of the Iglesia Mayor (or
cathedral), and lead to a vaulted apartment twenty feet square, where
there is an altar upon which mass is said; for within there is no altar,
neither is mass said there by reason of the reverence shewn to so great
a sanctuary; and it may be seen that K. D. Alonso intended in his plan
that there should be no altar within. In this apartment or outer chapel
is a great arched door, with a very strong fastening; it leads to another
smaller square chamber, vaulted also, with a square door, which also is
fastened with another strong fastening, and these are the fastenings and
keys which the Bishop Sampyro admires for their strength and security.
Public-domain text, read in full here on John Shaqi.
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