Roderick, the last of the Goths : $b A tragic poemSouthey, Robert
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Roderick, the last of the Goths : $b A tragic poem
Southey, Robert
Roderick, King of the Visigoths, -711? -- Poetry
Diffused their chilling influence, worthy pride,
And sympathy of love and joy and hope,
Had then possess’d him wholly. Even now
His spirit rose; the sense of power, the sight
Of his brave people, ready where he led
To fight their country’s battles, and the thought
Of instant action, and deliverance, ...
If Heaven, which thus far had protected him,
Should favour still, ... revived his heart, and gave
Fresh impulse to its spring. In vain he sought
Amid that turbulent greeting to enquire
Where Gaudiosa was, his children where,
Who call’d them to the field, who captain’d them;
And how these women, thus with arms and death
Environ’d, came amid their company?
For yet, amid the fluctuating light
And tumult of the crowd, he knew them not.
Guisla was one. The Moors had found in her
A willing and concerted prisoner.
Gladly to Gegio, to the renegade
On whom her loose and shameless love was bent,
Had she set forth; and in her heart she cursed
The busy spirit, who, with powerful call
Rousing Pelayo’s people, led them on
In quick pursual, and victoriously
Achieved the rescue, to her mind perverse
Unwelcome as unlook’d for. With dismay
She recognized her brother, dreaded now
More than he once was dear; her countenance
Was turn’d toward him, ... not with eager joy
To court his sight, and meeting its first glance,
Exchange delightful welcome, soul with soul;
Hers was the conscious eye, that cannot chuse
But look to what it fears. She could not shun
His presence, and the rigid smile constrain’d,
With which she coldly drest her features, ill
Conceal’d her inward thoughts, and the despite
Of obstinate guilt and unrepentant shame.
Sullenly thus upon her mule she sate,
Waiting the greeting which she did not dare
Bring on. But who is she that at her side,
Upon a stately war-horse eminent,
Holds the loose rein with careless hand? A helm
Presses the clusters of her flaxen hair;
The shield is on her arm; her breast is mail’d;
A sword-belt is her girdle, and right well
It may be seen that sword hath done its work
To-day, for upward from the wrist her sleeve
Is stiff with blood. An unregardant eye,
As one whose thoughts were not of earth, she cast
Upon the turmoil round. One countenance
So strongly mark’d, so passion-worn was there,
That it recall’d her mind. Ha! Maccabee!
Lifting her arm, exultingly she cried,
Did I not tell thee we should meet in joy?
Well, Brother, hast thou done thy part, ... I too
Have not been wanting! Now be His the praise,
From whom the impulse came!
That startling call,
That voice so well remember’d, touch’d the Goth
With timely impulse now; for he had seen
His Mother’s face, ... and at her sight, the past
And present mingled like a frightful dream,
Which from some dread reality derives
Its deepest horror. Adosinda’s voice
Dispersed the waking vision. Little deem’d
Public-domain text, read in full here on John Shaqi.
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