Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
General
Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
This statue had been ordered by the Société des Gens de Lettres, and was
intended for one of the public squares of Paris. After Victor Hugo,
Balzac. After the giant of modern poetry, the giant of the novel. What
a redoutable honor, but also what a homage to the talent of the great
sculptor! What joy for artists in the association of these two names,
Balzac and Rodin! On the other hand, how many adversaries rejoiced in
the hope of seeing Rodin come to grief with this task, fraught not
less with peril than with glory! He did not conceal from himself that
the statue of Balzac would be a severe problem to solve. We possess
no authentic bust of the creator of the "Comédie Humaine," not even
a death-mask giving the exact measure of the cranial bones and hence
the actual planes. We know through his contemporaries that the author
was fat and short. Fat and short--that is far from facilitating the
composition of a work of decorative art. But, more precious than
mediocre portraits, there is a famous page about him by Lamartine,
another great genius. "Balzac," he says, "was the figure of an element
... stout, thick-set, square at the base and at the shoulders, ample,
much as Mirabeau was; but not heavy in any way; he had so much soul that
it carried _him_ lightly."
[Illustration: STATUE OF BALZAC.]
It was this essence that he set out to render. A frank artist takes
no liberties with reality. It alone gives him force; the "majesty of
the true" is alone durable. Nature, which dowered Balzac with one
of the most prodigious intellects known to us, dowered him at the
same time, to support this intellect, with the physical breadth of a
colossus. To have altered anything that went to make up the harmony of
the structure would have been to commit a grave error; it would have
been to denaturalize the divine work. On the other hand, above this
mass of flesh it was necessary to make that marvelous spirit hover,
that sparkling spirit, that myriad-faceted spirit of the greatest of
novelists.
Rodin knows by experience that nature repeats herself. Has not a
humorist said: "It is useless to make a bust of you; it exists already.
You have only to look for it in the museums"?
Public-domain text, read in full here on John Shaqi.
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