Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
General
Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
The gestation of this work was accompanied by a thousand miseries. The
committee of the Société des Gens de Lettres incessantly demanded the
"Balzac"; they were dumfounded before the extraordinary figure that was
shown to them, before this white phantom the conception of which was so
utterly the reverse of all current ideas. Not knowing what to say, they
insisted that it should be modified and urged haste upon Rodin, whose
extraordinary dexterity became slowness itself when it was a question
of putting the final touches upon a great work. The press began to
take note of the affair. He himself became troubled and nervous. With
what transports would he have left it, fled, gone away to rest and to
dream of something else for a few weeks! The time of the Salon was
approaching. Quite suddenly he made his decision, gave the clay to be
cast, and ordered an enlargement. The statue was brought back to him at
the Dépôt des Marbres, in the rue de l'Université; it was twice as large
as the original model. It was placed in the garden that stretched out
in front of the studio. He examined it as it rose against the depths of
the open sky and the bright spring light. It was as if he had never seen
it, and suddenly his mind was illuminated. The work was grand, simple,
strong; the essential modeling was there, and the details they had
exhorted him to add would only have diminished its unsurpassable unity.
Rodin had made up his mind. He sent his "Balzac" to the Salon.
Immediately there was war. The press, worked upon by the committee of
the Société des Gens de Lettres, was unfavorable in advance. On the day
of the opening of the Salon the word was passed around, and the official
art world _s'esclaffe_. There was a crowd at the foot of the lofty
image, near which Rodin took up his position, calm according to his
wont, and talked quietly with his friends. Some, a very few, told him
how they admired this work so proudly offered, so strange in its banal
surroundings.
The next day the press broke forth. What an uproar! Everything went off
at once: the heavy artillery of the great newspapers scolded solemnly,
the light artillery crackled in the political sheets, and the grape-shot
of the minor papers spat their rage, only too happy for so rich a prey
to cut to pieces. The Institute, as might have been foreseen, fanned the
conflagration. The public, excited, in turn broke loose, in the fury of
ignorance stirred up against knowledge.
[Illustration: THE HEAD OF BALZAC.]
Public-domain text, read in full here on John Shaqi.
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