Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
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Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
The decorative designs of the villa of Evian adorn the vestibule of the
home of Baron Vitta. "Their subject," says M. Bénédite, in an excellent
notice which served as a catalogue for the Exhibition of 1905, "if
one wishes to speak of the motive that serves as their pretext, is
the most banal in the world. One would find it difficult to count the
number of times that it has served artists since antiquity. So true it
is that the commonest, the most general, the most seemingly worn-out
themes are those in which the great artists find themselves the most at
home. Without difficulty they renew them, and stamp them unforgettably
with their own peculiar mark. Rodin has calmly returned to the four
seasons, confident that they would bear without effort the impress of
his personality and his time and that they would suffice to express his
whole conception of beauty and of life."
Rodin has figured "The Seasons" under the aspect of four sleeping
women. Their beautiful forms model themselves in the warm-tinted stone,
which itself seems animated with the reflections of the living flesh.
Their mysterious sleep evokes the successive phases of the year. Now
it marks the quietude of the earth, full of the joy of yielding up her
flowers and her fruits under the caresses of the sun, now it is death
revealing itself through a nature tormented with the heavy travail of
generation. In the "Spring" it is a young body that lies voluptuously
under a rose-bush the fragrant petals of which are mingled with her own
flesh, enveloping her in the dream of their perfume. In the "Autumn,"
the sleeper crouches close to the ground under the fruits and the
vine-leaves, oppressed by the intoxicating aroma. The "Winter" presses
her chilled limbs closely against the cavities of the denuded earth,
while above her the roots of the trees enlace themselves intricately,
like sacred serpents charged with protecting her slumber. The "Summer"
is a siesta upon the bosom of a Nature _en fête_, lulled by the golden
sounds of harvest balanced on the breeze and the murmur of a spring that
pours forth freshness and quietude.
Public-domain text, read in full here on John Shaqi.
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