Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
General
Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
The master gives us his opinion on this matter in a few words,
circumspect and measured, as he himself always is. How could he be
otherwise before the formidable unknown that still hides from us the
next turn of destiny? It is fitting, then, to leave him the last word on
this subject. Fortunately his word has the warm ring of hope.
[Illustration: A FÊTE GIVEN IN HONOR OF RODIN BY SOME OF HIS FRIENDS.]
This hope he draws in a measure from himself, from his own strength,
which is, he feels, a distinct outgrowth of the national strength, of
the unconquerable soul of our ancestors; he draws it also from the
consciousness of a task accomplished in the face of the hard blows
of life; and finally from the promise of the artistic youth of the
country, of that which belongs to his school. For if with two or three
exceptions he has not directly formed pupils, his artistic principles,
his faith in the virtue of character and labor, supported by the example
of an unequaled body of work, have given him innumerable disciples. The
lesson which he offers us and which will soon be offered to all at the
museum in the Hôtel Biron, will endure for centuries. He says himself
justly, with pride and modesty, that this museum will form a true home
of education.
* * * * *
A few words more about this life which in the fecundity of its
unexpected incidents remains for the attentive witness profoundly
significant to the very end.
At the moment when the war of 1914 broke out, the master was in his
villa at Meudon. When the German armies approached Paris, he thought
of leaving his home. He had excited great admiration in the land
of Schiller and Goethe, he had been urged to take part in numerous
expositions there; but he had quite special reasons for knowing that
his work, were it to fall into their hands, would not be spared by the
soldiers from beyond the Rhine. Overwhelmed by the terrifying surprise
of the invasion, he did not know where to go.
As he had many friends in England, I offered to guide him there. He
therefore crossed the channel, accompanied by his wife, the companion
of his good and evil days. It was without a word of bitterness that he
set out, without expressing a regret for all that he was leaving behind
him. Before the immensity of the national misfortune he seemed to have
completely forgotten the menace that hung over the work of his whole
life. In the train that carried us by night to one of the French ports,
he said in his clear and always tranquil voice: "Yes, I am leaving
much behind me. It is the work of an entire life that will disappear,
perhaps." That was all. This attitude of an old exiled king inspired a
respect free from all compassion.
The fate of his collection of antiques caused him more disquietude.
"If they take them, that is nothing; they will still exist. But if they
break them! They will have destroyed what is irreplaceable."
Public-domain text, read in full here on John Shaqi.
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