Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
General
Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
True genius is as changeable as nature. It finds as many ways
of expressing its ideals as it finds subjects. But what always
remains the same is the desire to be sincere. Yet the artist, with
the best of intentions, is often the victim of his own sincerity.
Rodin is no exception to this rule, for even he has had his
portraits rejected. "There is no resemblance!" people declare,
while, on the contrary, the resemblance is too true. With his keen
insight he penetrates too far beyond the mere flesh of the model.
People are frightened at seeing their hidden personality brought
to the light of day, are taken aback at being compelled to know
themselves. They consider the sculptor indiscreet and dangerous.
If, in his portraits of men, he pries to their very souls,
if he reveals without pity those of his own sex, his equals, his
companions in life's struggle, in his portraits of women he is
discreet and respectful. With delicacy he unfolds their delicate
mystery. He does not say anything which is not true, but frequently
he does not express the whole truth. Genius is ever in quiet
complicity with womanhood, and leaves it in that half-obscurity
which is its greatest power.
In the bust before us of Mrs. X---- , one wonders what he
refrained from expressing. Surely neither the unusual beauty of the
woman nor her air as of an archduchess.
I remember the day when I saw this bust for the first time.
It was in the Salon, placed at the head of a high staircase. The
marble was brilliant. Something regal and also lovable attracted
those who came toward it. Resplendent in beauty, the shoulders
emerge from the folds of a wrap with the proud grace of one who is
to the manor born. The small, well-shaped head, supported by the
plump, though delicate, neck, is half turned to the slightly raised
left shoulder. The hair is drawn up high to form a crown, throwing
forward some light strands that shed their soft shadows over the
forehead, like a thatching of moss. The beautiful eyebrows, too,
lend mystery to the glance of the eyes, so full of sweetness and
understanding. The small ear is partly hidden under the waves of
the well-groomed hair. The lines of delicate symmetry which run
from the chin to the ear, and from the ear to the shoulder, and the
coronet of hair, give the bust its distinguished look of race.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account