Rodin: The Man and His Art, with Leaves from His Note-bookCladel, Judith
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Rodin: The Man and His Art, with Leaves from His Note-book
Cladel, Judith
Rodin, Auguste, 1840-1917
My flight of steps is my place for reflection, my _salle de pas
perdus_.[1] At the foot of the steps the verdant carpet, sown with
little stars of green, stretches out. It might be an old Arabian
material or a rich marble. Bits of earth are to be seen in delicate gray
patches. The shadow of night still enshrouds the garden in a cloudy
veil. In the distance, outlined against the horizon, are the bleak walls
of houses, like huge stones. About me stretches that enormous Babylon,
that Paris where my tired nerves relax, where the substance of my life
is woven, where my heart has found appreciation and no reproach, and
where my mind, imbued with the true knowledge of life, has taught my
soul the gracious lesson of submission.
This broad, beautiful lane is like a Corot, and recalls his nymphs.
The bare trees look like limbs. A bright carpet of turf moistens their
roots. Now a rabbit runs by. In the distance the carriages rumble like
artillery. This is a fitting haunt for fauns, their rustic arbor.
The trees serve as a roof, their green shoots melting into the sky.
The freshness of new life is everywhere, and little exclamations of
admiration spring from every creature.
With this universal youth new thoughts are born. In this delightful
retreat one feels that only an antique statue could add to its beauty.
The trees expand with vigor, their buds outlined against the sky. The
rest of the lane seems an avenue of enchantment. Far down at the end
I seem to see happiness. But no, I am wrong: it is not only in the
distance; it is here, all about me, now.
The slanting rays of the sun strike the trees and the grass; over
the lane bluish shadows play. The spreading shade of the trees falls
softly on the fresh green. Those little dashes of blue among the grass
are forget-me-nots. Those beautiful trees, garbed only since a week
ago, trail their lovely green draperies on the ground, while detached
garlands cling to the shrubs.
The majesty of youth in nature is unique; it is charm itself, an
inimitable thing. Yet some men of genius have been able to express the
spirit of spring.
[Illustration: RODIN IN HIS GARDEN.]
The very soul of meditation dwells in this garden, in this alley of
trees. Polyhymnia, the Muse, in her graceful draperies, walks with me,
and I follow her reverently.
Away from the turmoil, I can forget the constant hurry of our days. How
we allow ourselves to be harassed! Reaching out for everything without
possessing anything truly, we do not even realize what treasures we have
lost. A few puffs of empty air are not poetry, and seeing happiness in
the distance is not enjoying it. What hurries you? Ah, your life is out
there, elsewhere? Go, then; but I shall remain here with the antique in
my charming garden.
Public-domain text, read in full here on John Shaqi.
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