Rogues and VagabondsSims, George R. (George Robert)
General
Rogues and Vagabonds
Sims, George R. (George Robert)
Criminals -- Fiction; London (England) -- Fiction
The stolid English traveller, who, having bought half-a-dozen
newspapers, and taken his seat in an empty carriage, considers he has
done an act which entitles him to the whole of the compartment; the
English lady, arrayed for travel in garments which are calculated to
amaze the foreigner; the Frenchman, who raises his hat every time he
passes a fellow-traveller, and spits on the floor of the carriage
without apology; the Belgian, with his hideous black travelling-cap and
funereal suit; the German, the Italian, and the Russian, speaking now
in English now in their native language, all are here.
The train is a light one, and there is plenty of room for travellers
who wish to be exclusive.
A few shillings to the guard on a slack night will generally reserve a
compartment as far as Dover.
Two gentlemen evidently think privacy worth purchasing, for the guard
has closed the door of a first-class compartment on them and is
slipping a bright half-crown into his pocket.
They have handed their carpet-bags to a porter to put in the guard’s
van.
The bell is ringing and the train is about to start.
There are a few people still bidding adieu to their friends.
Just at the last moment two gentlemen, who have not taken their seats,
step into the guard’s van and crouch down behind the luggage.
A sharp whistle, a volume of steam, and the train glides out into the
night.
Turvey, the guard, breathes freely. He has fulfilled his portion of the
contract, and is entitled to his share.
Brooks and Heckett are alone with the massive safes of bullion, and
everything now depends upon the use they make of the opportunity.
They are the workmen who are to carry out the scheme devised by the
talented head of the firm of Smith and Co.
Slowly at first, but increasing in speed at every moment, the long
train rushes like a fiery serpent through London out into the open
country.
Directly the train is clear of the station Brooks and Heckett commence
operations. The rehearsal has been perfect, the performance seems
likely to go off without a hitch.
Brooks has the keys prepared with so much skill and labour, and the
safe opens in a moment. Then Heckett with a hammer and chisel wrenches
off the iron clasps from the first box, and, forcing the lid up
carefully, reveals the treasure that lies within.
Never did a miner’s eyes gleam more brightly as he came upon the
priceless nugget than did Heckett’s as he saw the bars of gold at his
mercy. Quick as thought the box was emptied and filled with shot from
the carpet bags in the van.
This shot had all been carefully weighed and prepared in parcels, so
that it would represent the exact weight of the abstracted gold.
To light some wax with a taper, reseal the box with a seal brought for
the purpose, refasten the iron clasps and drive the nails in again was
the work of a very short time, and when the train stopped at Redhill
half the stupendous task was completed.
Public-domain text, read in full here on John Shaqi.
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