Families -- Fiction; Theater -- Great Britain -- Fiction
Nancy had never been so much surprised in her life as she was by
the aspect of old Mrs. Fuller’s room. The old lady, wrapped in a
bed-jacket of orange and yellow brocade and supported by quantities
of bright vermilion cushions, was sitting up in a gilded four-post
bed, the curtains and valance of damasked maroon silk and the canopy
sustained by four rouged Venetian _amorini_ with golden wings. Over
the mantelpiece was a copy of Giorgione’s “Pastorale.” Mirrors in
frames of blown glass decorated with wreaths of pink glass rosebuds and
blue glass forget-me-nots hung here and there on the white walls, the
lighted candles in which gave the windowpanes such a bloom in the March
dusk as is breathed upon ripe damsons. Bookcases on either side of the
fireplace were filled with the sulphur backs of numerous French novels.
On a mahogany table at the foot of the bed stood a green cornucopia of
brilliantly tinted wax fruits that was being regarded with slant-eyed
indifference by two antelopes of gilded wood, seated on either side.
Of course, Nancy had known that old Mrs. Fuller was different from the
rest of the family; but this flaunting rococo bedroom made a sharper
impression of that immense difference than could all the letters to her
grandson. It was strange, too, that Bram should never have commented
on this amazing room, set as it was in the heart of the house against
which his boyhood had so bitterly revolted. In her astonishment at her
surroundings she did not for the moment take in the aspect of the old
lady herself; and then suddenly she saw the dark eyes of Bram staring
at her from the middle of those vermilion cushions, the bright eyes of
Bram flashing from a death’s head wrapped in parchment. She put her
hand to her heart, and stopped short on her way across the room to
salute the old lady.
“What’s the matter?” snapped a high incisive voice.
“Oh, you’re so like Bram,” cried Nancy, tears gushing like an
uncontrollable spring from her inmost being, like blood from a wound,
and yet without any awareness of grief, so that her voice was calm, her
kiss of salutation not tremulous.
“Might I lift my little girl on Mrs. Fuller’s bed, nurse?” she asked.
“Don’t call her nurse,” the old lady rapped out. “This ain’t a hospital.
It’s only that sanctimonious ghoul Caleb who calls her nurse. She’s
my companion, Miss Emily Young. And why should the wretched child be
lifted up to see an old bogey like myself?”
“I think she’d like to kiss you, if she may,” said Nancy.
“Yes, I _would_ like to kiss you,” said Letizia.
The old woman’s eyes melted to an enchanting tenderness, and, oh, how
often Nancy had seen Bram’s eyes melt so for her.
“Lift her up, Emily, lift her up,” said Mrs. Fuller.
Miss Young put Letizia beside her and the old woman encircled the child
with her left arm. The other hung motionless beside her.
Public-domain text, read in full here on John Shaqi.
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