Families -- Fiction; Theater -- Great Britain -- Fiction
Letizia made a wry face over the lemonade.
“It tastes like pins, muvver.”
The nun who overheard this criticism put down her book and said, with a
pleasant smile, that she had a flask of milk which would be much better
for a little girl than lemonade. She had, too, a small collapsible
tumbler, from which it would be easier to drink than from a bottle.
“Is that a glass, muvver?” Letizia exclaimed. “I was finking it was a
neckalace.”
“Thank Sister very nicely.”
“Is that a sister?” Letizia asked incredulously.
The various relationships to which she had been introduced this day
were too much for Letizia, and this new one seemed to her even more
extraordinary than the collapsible metal tumbler. Nancy explained to
the nun that they had been making a family visit to hitherto unknown
relations in Brigham, to which the nun responded by saying that she,
too, had been making a kind of family visit inasmuch as she had been
staying in Lancashire at the mother house of the Sisters of the Holy
Infancy.
“Right out on the moors. Such a lovely position, though of course it’s
just a little bleak at this time of year.”
She had laid aside her pious book and was evidently glad to talk for a
while to combat the depression that nocturnal journeys inevitably cast
upon travellers in those days before corridors were at all usual in
trains. In those days a railway compartment seemed such an inadequate
shelter from the night that roared past in torrents of darkness on
either side of it. The footwarmers, glad though one was of them, only
made the chilly frost that suffused the upper portion of the carriage
more blighting to the spirit. The dim gaslit stations through which the
train passed, the clangour of the tunnels, the vertical handle of the
door which at any moment, it seemed, might become horizontal and let it
swing open for the night to rush through and sweep one away into the
black annihilation from which the train was panting to escape, the saga
of prohibitions inscribed above the windows and beneath the rack which
gradually assumed a portentous and quasi-Mosaic significance—all these
menacing, ineluctable impressions were abolished by the introduction of
the corridor with its assurance of life’s continuity.
Nancy told the nun that she was a Catholic, and they talked for a time
on conventional lines about the difficulty of keeping up with one’s
religious duties on tour.
“But I do hope that you will go on trying, my dear,” said the nun.
The young actress felt a little hypocritical in allowing her companion
to presume that until this date she had never relinquished the
struggle. Yet she was not anxious to extend the conversation into any
intimacy of discussion, nor did she want the nun to feel bound by her
profession to remonstrate with her for past neglect. So instead of
saying anything either about the past or the future, she smiled an
assent.
Public-domain text, read in full here on John Shaqi.
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