Families -- Fiction; Theater -- Great Britain -- Fiction
warning the train not to rush on through that din of anvils to its doom.
And then abruptly the lights went out in every single compartment. The
blackness was absolute. People put up windows and looked out into the
viewless tunnel, until the vapours drove them back within. Now down the
line were heard hoarse shouts and echoes, and the bobbing light of the
guard’s lamp illuminated the sweating roof of the tunnel as he passed
along to interview the engine driver. In a few minutes he came back,
calling out, “Don’t be frightened, ladies and gentlemen, there’s no
danger.” Heads peered out once more into the mephitic blackness, and
the word went along that there had been a breakdown on the line ahead
and that their lighting had by an unfortunate coincidence broken down
as well. Everybody hoped that the signals behind were as vigilant as
those in front and that the red lamps were burning bright to show that
there was danger on the line.
“I aspeck the poor train wanted a rest, muvver,” said Letizia. “I
aspeck it was sleepy because it was out so late.”
“I know somebody else who’s sleepy.”
“P’r’aps a little bit,” Letizia admitted.
“Dear me, she _must_ be tired,” her mother said across the darkness to
the nun. “Well, then, put your head on my lap, old lady, and go right
off to sleep as soon as ever you can.”
For some time the two grown-ups in the compartment sat in silence while
the little girl went to sleep. It was the nun who spoke first.
“I wonder whether it will disturb her if we talk quietly? But this
utter blackness and silence is really rather dispiriting.”
“Oh, no, Sister, we shan’t disturb her. She’s sound asleep by now.”
“Does she always travel with you when you’re on tour?” the nun asked.
“Until now she has. You see, my husband only died at Christmas and we
were always together with her. I am a little worried about the future,
because I can’t afford to travel with a nurse and landladies vary and
of course she has to be left in charge of somebody.”
“Yes, I can understand that it must be a great anxiety to you.”
Nancy thought how beautiful the nun’s voice sounded in this darkness.
While the train was moving, she had not realised its quality, but in
the stillness now it stole upon her ears as magically as running water
or as wind in pine-tree tops or as any tranquil and pervasive sound
of nature. In her mind’s eye she was picturing the nun’s face as it
had appeared when she was speaking of Italy, and she was filled with a
desire to confide in her.
Public-domain text, read in full here on John Shaqi.
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