Families -- Fiction; Theater -- Great Britain -- Fiction
“This play of mine, Miss O’Finn, might seem to bear a superficial
resemblance in the main theme to _East Lynne_. But it is only very
superficial. Until the excellent Mrs. Pottage to whom I read it said
that the great scene in the third act reminded her of a similar scene
in the dear old-fashioned drama at which we have all wept in our day, I
confess that even this superficial likeness had not struck me. However,
Mrs. Pottage was right. There undoubtedly is a faint resemblance. But
what of that? Did not somebody or other, some great writer whose name
escapes me for the moment, say that there were only six original plots
in the world? After all, it’s the treatment that counts. But let us
be practical. I did not invite you out to lunch to hear me discuss
abstract theories of art. At the end of this month _The Custody of the
Child_ will be presented for the first time on any stage at the Prince
of Wales’ Theatre, Leeds. Will you and your daughter accept what I am
tempted to call the two leading parts? I have engaged an excellent
young actor for the husband—Clarence Bullingdon. Do you know him? No?
He’s very sound. My own part is a comparatively small one. Well, I
didn’t want to give the critics a chance of saying that I had written a
play to show off my own acting.”
“But would I suit the part?” Nancy asked.
“Exactly what I require. You might have served as the model for my
inspiration.”
Nancy wavered. The last thing she had intended was to allow Letizia to
act. Yet, would it hurt her so much to be acting with her mother?
“What salary are you suggesting, Mr. Plimmer?”
“I had allotted five pounds a week to your part, Miss O’Finn, but if
your little girl will appear with you, I am prepared to double that.”
Ten pounds a week! It was as much as she and Bram had ever earned
together, and a good deal more than they had earned sometimes. It would
be madness to refuse. Besides, work was necessary if she was not to
break down under this anxiety. Yet Letizia was very young to be acting.
“What time would my little girl be finished?” she asked.
“Ah, you’re thinking of her bedtime. Well, of course, she would be
late. In fact, her scene in the last act is the crux of the whole play.
But surely she could lie down every afternoon? We shall only have one
matinée in the week.”
“You are tempting me, Mr. Plimmer. And yet I don’t really think I ought
to let my little girl act. Couldn’t you engage me at five pounds a week
without Letizia?”
The actor shook his head.
“Candidly, that would be a bit awkward, Miss O’Finn. The fact is that I
have already half promised your part elsewhere, and if it were not for
your little girl I should not care to break my word.”
“But I wouldn’t like to keep another girl out of the part,” said Nancy
quickly.
Public-domain text, read in full here on John Shaqi.
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