Families -- Fiction; Theater -- Great Britain -- Fiction
Her ambition had been kindled by her success with the first
ticket-inspector. With the next one who invaded the compartment she
took a line of bold and direct inquiry.
“_Paris, quand?_”
The inspector stared back, indignation displayed upon his countenance.
“_Comment?_”
“_Non, quand_,” said the elderly lady.
The inspector shrugged his shoulders and slammed the carriage-door as
he retired.
“That man seemed rather stupid, I thought, Ethel.”
“Most stupid,” the ambitious Ethel emphatically agreed.
Nancy felt thankful that Letizia would be taught French properly.
Sister Catherine had already suggested to her that when she was twelve
she should be sent for three years to a convent in Belgium with which
the Sisters of the Holy Infancy had an arrangement of exchanging
pupils. Nancy had been a little alarmed at first by the prospect of
sending Letizia abroad all that time; but after these two absurd
Englishwomen she felt no trouble was too great and no place too far and
no separation too long that would insure Letizia against talking French
like them in public.
But presently Nancy was too much occupied with her own
problems—transferring herself and her luggage from one station in
Paris to another, finding out how the _wagon-lit_ toilet arrangements
worked, how to reply to the Italian examination of baggage in the Mt.
Cenis tunnel, and how to achieve the change at Rome into the Naples
train—either to criticise anybody else or even to dream and speculate
about her own operatic future.
Then Vesuvius loomed above the russet orchards and dishevelled vines on
the left of the railway. Nancy suddenly remembered that when she and
Bram were first married he had one day said how much he should like to
visit Naples with her. He had told her that he had seen a picture of it
when he was a boy and of what a thrill it had given him. Now here it
actually was, and he was not by her side to behold it. Here Naples had
been all these years, and he had never seen it.
Time heals many wounds; but in some he makes a deeper gash every year
with his inexorable scythe.
CHAPTER XXI
CLASSIC GRIEF
Public-domain text, read in full here on John Shaqi.
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