Families -- Fiction; Theater -- Great Britain -- Fiction
Mr. Mortimer paused to give Nancy time to appreciate what this meant.
“Here is the script,” he said. “Perhaps you will read me your lines?”
Nancy took a deep breath and dived.
“Thank you, Miss O’Finn,” said Mr. Mortimer. “One of my secretaries
will communicate my decision to your agent in the course of the next
twenty-four hours.”
He pressed a bell, which was immediately answered by a chamberlain
to whom was entrusted the task of escorting Nancy back into the
commonplace of existence.
And the very next day when Nancy, who was staying at St. Joseph’s, went
to her agent, she was offered the part at a salary of £5 a week.
Not only was _Cœur de Lion_ a success with the critics, who hailed
Mr. Philip Stevens as the morning-star of a new and glorious day for
England’s poetic drama; but it was a success with the public. This, of
course, made the critics revise their opinion and decide that what they
had mistaken for a morning-star was only a fire-balloon; but the damage
was done, and English criticism suffered the humiliation of having
praised as a great play what dared to turn out a popular success. One
or two papers actually singled out Nancy’s performance for special
commendation which, considering that the part did not look difficult
and that she played it easily and naturally, betrayed astonishing
perspicacity for a dramatic critic. She found pleasant rooms in St.
John’s Wood, quite close to the convent. Kenrick made several attempts
to see her, and on one occasion waited for her outside the stage-door.
She begged him not to do this again as it might involve her dismissal
from the Athenæum, because one of Mr. Mortimer’s ways of elevating the
English drama was to make it an offence for any of the ladies of his
company to be waited for outside the stage-door.
For three months everything went well for Nancy except that the expense
of London life was a constant worry for her, although she tried to
console herself with the thought that she had already saved a certain
amount of money, and that after her success in _Cœur de Lion_ she might
expect to get a larger salary in her next London engagement. Otherwise
she was happy.
Then one night early in April she was informed by the stage-door keeper
that a gentleman who would not leave his name had been inquiring for
her private address. Nancy supposed that it was Kenrick again; but
the stage-door keeper remembered him well. This was a much older
gentleman with curly white hair who was quite definitely a member of
the profession.
“Of course, I didn’t give him your address, miss. But if he calls
again, what shall I say?”
Public-domain text, read in full here on John Shaqi.
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