Families -- Fiction; Theater -- Great Britain -- Fiction
The houses in Blackboy Passage were flat-faced, thin, and tall like the
houses in Hogarth’s “Night.” At one end an archway under the ancient
tavern that gave its name to the small and obscure thoroughfare led
into Greek Street. At the other end a row of inebriated posts forbade
traffic to vehicles from Frith Street. The houses had enjoyed a brief
modishness in the middle of the eighteenth century, but since then
their tenants had gradually declined in quality while at the same time
steadily increasing in quantity. By this date nearly every one of the
tall houses had a perpendicular line of bells beside its front door and
a ladder of outlandish names. The house in which Nancy found lodgings
was an exception, for all of it except the basement belonged to Miss
Fewkes, who was her landlady. Miss Fewkes was a dried-up little woman
of over fifty, with a long sharp nose, and raddled cheeks so clumsily
powdered as to give to her face the appearance of a sweet which has
lost its freshness and been dusted over with sugar. Incredible as it
now might seem, Miss Fewkes had had a past. She had actually been
in the Orient ballet once, and the mistress of several men, each of
whom was a step lower in the scale than his predecessor. From each of
these temporary supporters she had managed to extract various sums of
money, the total of which she had invested in furnishing this house
in Blackboy Passage, where for many years she had let lodgings to the
profession. In spite of her paint and powder and past, Miss Fewkes wore
an air of withered virginity, and appeared to possess little more human
nature than one of her own lace antimacassars. Her thin prehensile
fingers resembled the claws of a bird; her voice was as the sound of
dead leaves blown along city pavements. Letizia disliked Miss Fewkes as
much as she had liked Mrs. Pottage. Nor did Miss Fewkes like Letizia,
whose presence in her lodgings she resented in the same way that she
would have resented a pet dog’s.
“I noticed your little girl’s finger-marks on the bedroom-door this
morning. Two black marks. Of course, as I explained to you, Miss
O’Finn, I don’t really care to have children in my rooms, but if I do
take them in I rather expect that they won’t make finger-marks. It’s
difficult enough to keep things clean in London, as I’m sure you’ll
understand.”
Public-domain text, read in full here on John Shaqi.
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