Families -- Fiction; Theater -- Great Britain -- Fiction
“Are those aunts?” Letizia exclaimed in disgusted astonishment when she
was presented to the two drab middle-aged women with muddy faces and
lace caps who, each wearing a grey woollen shawl, sat on either side of
a black fire from which one exiguous wisp of smoke went curling up the
chimney.
“Yes, those are your aunts, darling,” said Nancy, hoping that Letizia’s
generic question had not been understood quite in the way that it was
intended. “Run and give them a kiss.”
There must have been a note of appeal in her mother’s voice, for
Letizia obeyed with surprising docility, even if she did give an
impression by the slowness of her advance that she was going to stroke
two unpleasant-looking animals at the invitation of a keeper. Then it
was Nancy’s turn to embrace the aunts, much to the amazement of her
daughter, who exclaimed:
“You kissed them too! Was you told to kiss them?”
“May I leave Letizia with you while I finish my talk with Caleb?” Nancy
asked her aunts.
Caleb looked positively sullen over his sister-in-law’s pertinacity,
and he was leading the way back to what was apparently known as the
library, when the elderly maid appeared with the tea. He beamed again.
“You _must_ have tea first. I’m sure you _must_ be wanting your tea. I
was telling—er—Nancy about our Thursday cake, Aunt Achsah.”
Caleb’s face was richly dimpled by the smile for which the family joke
was responsible, and at which Aunt Achsah and Aunt Thyrza tittered
indulgently. Nancy was saying over in her head the name of the elder
aunt so that she should be able to remember it in future. Then she
gazed round in depression of spirit at the curtains and upholstery
and wall-paper, all in sombre shades of brown, and at the bunches of
pampas-grass, dyed yellow, blue, and red, which in hideous convoluted
vases on bamboo stands blotched the corners of the room with plumes of
crude colour. Could she leave Letizia in this house? Would Bram really
wish it?
Aunt Achsah and Aunt Thyrza had by now wound themselves up to express
the sorrow that they felt convention owed to Nancy.
“He was a wild boy and a great anxiety to us,” Aunt Thyrza sighed. “But
we were very fond of him.”
“It nearly killed his poor father when he took to the stage,” Aunt
Achsah moaned. “He had such a beautifully religious bringing-up that it
seemed particularly dreadful in his case. Of course, we do not believe
that there may not be some good men and women on the stage, but all the
same it was terrible—really terrible for us when Bram became an actor.”
“But didn’t you have a sister who went on the stage?” Nancy asked.
The two drab women stared at her in consternation. How did this
creature know the story of the lost Caterina? Why, their mother must
have told Bram. The shameful secret was a secret no more.
Public-domain text, read in full here on John Shaqi.
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