From an early hour of the morning the court was crowded. Many persons
distinguished in the world of fashion were to be seen amid the gowned
and wigged throng that filled the body of the building; and in the
galleries were a vast number of ladies, whose elegance of dress told how
much they regarded the scene as one of display, as well as of exciting
interest. Some had been frequent guests at his house; others had often
received him at their own; and there they sat, in eager expectancy to
see how he would behave, to criticise his bearing, to scan his looks
through their “lorgnettes,” and note the accents in which he would
speak. A few, indeed, of his more intimate friends denied themselves the
treat such an exhibition promised; and it was plain to see how highly
they estimated their own forbearance. Still, Frobisher and some of
his set stood beneath the gallery, and watched the proceedings with
interest.
Some routine business of an uninteresting nature over, the case of the
King _versus_ Roland Cashel was called, and the governor of the jail was
ordered to produce the prisoner. A murmur of intense interest quickly
ran through the crowded assembly, and as suddenly was subdued to a dead
silence as the crowd, separating, permitted the passage of two armed
policemen, after whom Cashel walked, followed by two others. Scarcely
had he merged from the dense throng and taken his place in the dock,
when a buzz of astonishment went round; for the prisoner, instead of
being dressed decorously in black, as is customary, or at least in some
costume bespeaking care and respect, was attired in the very suit
he wore on the eventful night of the murder, the torn sleeves and
blood-stained patches attracting every eye around him. He was paler
and thinner than his wont; and if his countenance was more deeply
thoughtful, there was nothing in it that evinced anxiety, or even
expectancy. As he entered the dock, they who stood nearest to him
remarked that a slight flush stole over his face, and something that
seemed painful to his feelings appeared to work within him. A brief
effort overcame this, and he raised his eyes and carried his looks
around the court with the most perfect unconcern.
The prisoner was now arraigned, and the clerk proceeded to read over
the indictment; after which came the solemn question, “How say you,
prisoner, Guilty or Not Guilty?” Either not understanding the “quaere”
as directly addressed to himself, or conceiving it to be some formality
not requiring an answer, Cashel stood in a calm and respectful silence
for some minutes, when the judge, in a mild voice, explained the meaning
of the interrogation.
Public-domain text, read in full here on John Shaqi.
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