She was to give but three representations at Venice, and ere Cashel's
party had arrived all the tickets were already disposed of. By unceasing
efforts, and considerable bribery, they contrived at last to obtain
places for the first night, and early in the forenoon were admitted
among a privileged number to take their seats. They who were thus, at a
heavy cost, permitted to anticipate the general public, seemed--at least
to Cashel's eyes--to fill the house; and so, in the dim indistinctness,
they appeared. Wherever the eye turned, from the dark parterre below, to
the highest boxes above, seemed filled with people. There was something
almost solemn in that vast concourse, who sat subdued and silent in the
misty half light of the theatre. The intense anxiety of expectation,
the dreary gloom of the scene, contributed to spread a kind of awestruck
influence around, and brought up to Roland's memory a very different
place and occasion--when, himself the observed of all observers, he
stood in the felons' dock. Lost in the gloomy revery these sad thoughts
suggested, he took no note of time, nor marked the lagging hours which
stole heavily past.
Suddenly the full glare of light burst forth, and displayed the great
theatre crowded in every part. That glittering spectacle, into which
beauty, splendor of dress, jewels, and rich uniforms enter, broke
upon the sight, while a kind of magnetic sense of expectancy seemed
to pervade all, and make conversation a mere murmur. The
opera--a well-known one of a favorite composer, aud admirably
sustained--attracted little attention. The thrilling cadences, the
brilliant passages, all fell upon senses that had no relish for their
excellence; and even the conventional good-breeding of the spectators
was not proof against the signs of impatience that every now and then
were manifested.
Public-domain text, read in full here on John Shaqi.
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