What makes Jean Christophe's struggle supremely heroic is that he
aspires solely towards the greatest, towards life as a whole. This
striving man has to upbuild everything for himself; his art, his
freedom, his faith, his God, his truth. He has to fight himself free
from everything which others have taught him; from all the fellowships
of art, nationality, race, and creed. His ardor never wrestles for any
personal end, for success or for pleasure. "Il n'y a aucun rapport entre
la passion et le plaisir." Jean Christophe's loneliness makes this
struggle tragical. It is not on his own behalf that he troubles to
attain to truth, for he knows that every man has his own truth. When,
nevertheless, he becomes a helper of mankind, this is not by words, but
by his own essential nature, which exercises a marvelously harmonizing
influence in virtue of his vigorous goodness. Whoever comes into contact
with him--the imaginary personalities in the book, and no less the real
human beings who read the book--is the better for having known him. The
power through which he conquers is that of the life which we all share.
And inasmuch as we love him, we grow enabled to cherish an ardent love
for the world of mankind.
CHAPTER IX
OLIVIER
Jean Christophe is the portrait of an artist. But every form and every
formula of art and the artist must necessarily be one-sided. Rolland,
therefore, introduces to Christophe in mid career, "nel mezzo del
cammin," a counterpart, a Frenchman as foil to the German, a hero of
thought as contrast to the hero of action. Jean Christophe and Olivier
are complementary figures, attracting one another in virtue of the law
of polarity. "They were very different each from the other, and they
loved one another on account of this difference, being of the same
species"--the noblest. Olivier is the essence of spiritual France, just
as Jean Christophe is the offspring of the best energies of Germany;
they are ideals, alike fashioned in the form of the highest ideal;
alternating like major and minor, they transpose the theme of art and
life into the most wonderful variations.
Public-domain text, read in full here on John Shaqi.
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