"It was for this, then, that there had been effected a physical and
moral resurrection of the races of the west! It was towards these
butcheries that the streams of action and passionate faith had been
hastening! None but a Napoleonic genius could have directed these blind
impulses to a foreseen and deliberately chosen end. But nowhere in
Europe was there any one endowed with the genius for action. It seemed
as if the world had singled out the most commonplace among its sons to
be governors. The forces of the human spirit were coursing in other
channels."
Christophe recalls those earlier days when he and Olivier had been
concerned about the prospect of war. At that time there were but distant
rumblings of the storm. Now the storm clouds covered all the skies of
Europe. Fruitless had been the call to unity; vain had been the pointing
out of the path through the darkness. Mournfully the seer contemplates
in the distance the horsemen of the Apocalypse, the heralds of
fratricidal strife.
But beside the dying man is the Child, smiling and full of knowledge;
the Child who is Eternal Life.
PART FIVE
INTERMEZZO SCHERZOSO
(Colas Breugnon)
"Brugnon, mauvais garçon, tu ris, n'as tu pas honte?"--"Que veux
tu, mon ami? Je suis ce que je suis. Rire ne m'empêche pas de
souffrir; mais souffrir n'empêchera jamais un bon Français de rire.
Et qu'il rie ou larmoie, il faut d'abord qu'il voie."
COLAS BREUGNON.
CHAPTER I
TAKEN UNAWARES
At length, in this arduous career, came a period of repose. The great
ten-volume novel had been finished; the work of European scope had been
completed. For the first time Romain Rolland could exist outside his
work, free for new words, new configurations, new labors. His disciple
Jean Christophe, "the livest man of our acquaintance," as Ellen Key
phrased it, had gone out into the world; Christophe was collecting a
circle of friends around him, a quiet but continually enlarging
community. For Rolland, nevertheless, Jean Christophe's message was
already a thing of the past. The author was in search of a new
messenger, for a new message.
Romain Rolland returned to Switzerland, a land he loved, lying between
the three countries to which his affection had been chiefly given. The
Swiss environment had been favorable to so much of his work. _Jean
Christophe_ had been begun in Switzerland. A calm and beautiful summer
enabled Rolland to recruit his energies. There was a certain relaxation
of tension. Almost idly, he turned over various plans. He had already
begun to collect materials for a new novel, a dramatic romance
belonging to the same intellectual and cultural category as Jean
Christophe.
Public-domain text, read in full here on John Shaqi.
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