These hundreds and thousands of letters combine to form an ethical
achievement such as has not been paralleled by any previous writer. They
brought happiness to countless solitary souls, strength to the wavering,
hope to the despairing. Never was the poet's mission more nobly
fulfilled. Considered as works of art, these letters, many of which have
already been published, are among the finest and maturest of Rolland's
literary creations. To bring solace is the most intimate purpose of his
art. Here, when speaking as man to man he can give himself without
stint, he displays a rhythmical energy, an ardor of lovingkindness,
which makes many of the letters rank with the loveliest poems of our
time. The sensitive modesty which often makes him reserved in
conversation, was no longer a hindrance. The letters are frank
confessions, wherein his free spirit converses freely with its fellows,
disclosing the author's goodness, his passionate emotion. That which is
so generously poured forth for the benefit of unknown correspondents, is
the most intimate essence of his nature. Like Colas Breugnon he can say:
"Voilà mon plus beau travail: les âmes que j'ai sculptées."
CHAPTER XV
THE COUNSELOR
During these years, many people, young for the most part, came to
Rolland for advice in matters of conscience. They asked whether, seeing
that their convictions were opposed to war, they ought to refuse
military service, in accordance with the teaching of Tolstoi, and
following the example of the conscientious objectors; or whether they
should obey the biblical precept, Resist not evil. They enquired whether
they should take an open stand against the injustices committed by their
country, or whether they should endure in silence. Others besought
spiritual counsel in their troubles of conscience. All who came seemed
to imagine that they were coming to one who possessed a maxim, a fixed
principle concerning conduct in relation to the war, a wonder-working
moral elixir which he could dispense in suitable doses.
Public-domain text, read in full here on John Shaqi.
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