Thus _Jean Christophe_, the Eroica, ends in a chorale to the infinite
powers of life, ends in the undying ocean of music. Rolland wished to
convey the notion of these eternal forces of life symbolically through
the imagery of the element which for us mortals brings us into closest
contact with the infinite; he wished to typify these forces in the art
which is timeless, which is free, which knows nothing of national
limitations, which is eternal. Thus music is at once the form and the
content of the work, "simultaneously its kernel and its shell," as
Goethe said of nature. Nature is ever the law of laws for art.
CHAPTER VII
THE ENIGMA OF CREATIVE WORK
_Jean Christophe_ took the form of a book of life rather than that of a
romance of art, for Rolland does not make a specific distinction between
poietic types of men and those devoid of creative genius, but inclines
rather to see in the artist the most human among men. Just as for
Goethe, true life was identical with activity; so for Rolland, true life
is identical with production. One who shuts himself away, who has no
surplus being, who fails to radiate energy that shall flow beyond the
narrow limits of his individuality to become part of the vital energy of
the future, is doubtless still a human being, but is not genuinely
alive. There may occur a death of the soul before the death of the body,
just as there is a life that outlasts one's own life. The real boundary
across which we pass from life to extinction is not constituted by
physical death but the cessation of effective influence. Creation alone
is life. "There is only one delight, that of creation. Other joys are
but shadows, alien to the world though they hover over the world. Desire
is creative desire; for love, for genius, for action. One and all are
born out of ardor. It matters not whether we are creating in the sphere
of the body or in the sphere of the spirit. Ever, in creation, we are
seeking to escape from the prison of the body, to throw ourselves into
the storm of life, to be as gods. To create is to slay death."
Public-domain text, read in full here on John Shaqi.
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