Roman Society from Nero to Marcus AureliusDill, Samuel
Philosophy
Roman Society from Nero to Marcus Aurelius
Dill, Samuel
Rome -- Religion; Rome -- Social life and customs
The _Satiricon_, as we have it, is only a fragment, containing parts of
two books, out of a total of sixteen. It is full of humorous exaggeration
and wild Aristophanic fun, along with, here and there, very subtle and
refined delineation of character. But, except in the famous dinner of
Trimalchio, there are few signs of regular construction or closeness of
texture in plot and incident. Even if we had the whole, it might have been
difficult to decipher its motive or to unlock the secret of the author’s
character. We can only be sure that he was a man of genius, and that he
was interested in the intellectual pursuits and tendencies of his time, as
well as in its vices and follies. We may perhaps surmise that he was at
once perverted and disillusioned, alternately fascinated and disgusted by
the worship of the flesh and its lusts in that evil time. He is not, as
has been sometimes said, utterly devoid of a moral sense. Occasionally he
shows a gleam of nobler feeling, a sense of the _lacrimae rerum_, as in
that passage where the corpse of the shipwrecked Lichas is washed ashore.
“Somewhere a wife is quietly awaiting him, or a father or a son, with no
thought of storm; some one whom he kissed on leaving.... He had examined
the accounts of his estates, he had pictured to himself the day of his
return to his home. And now he lies, O ye gods, how far from the goal of
his hopes. But the sea is not the only mocker of the hopes of men. If you
reckon well, there is shipwreck everywhere.”(744) There is also a curious
note of contempt for his own age in a passage on the decay of the fine
arts. The tone is, for the moment, almost that of Ruskin. The glories of
the golden age of art were the result of simple virtue. An age like the
Neronian, an age abandoned to wine and harlotry, which dreams only of
making money by any sordid means, cannot even appreciate what the great
masters have left behind, much less itself produce anything worthy. Even
the gods of the Capitol are now honoured by an offering of crude bullion,
not by the masterpieces of a Pheidias or an Apelles. And the race which
created them are now for us, forsooth, silly Greeklings!(745)
Public-domain text, read in full here on John Shaqi.
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