to the bride in no elegant fashion, challenges the jester to fight, and, when the lamp is extinguished in the obscene tumult, is finally found trying to embrace the dancing girl.(1861) But Lucian’s bitterest attack on the class is perhaps delivered in the dialogue entitled the _Fugitives_. Philosophy, in the form of a woman bathed in tears, appears before the Father of the gods. That kindly potentate is affected by her grief, and inquires the cause of it. Philosophy, who had been commissioned by Zeus to bring healing and peace to human life in all its confusion and ignorance and violence, then unfolds the tale of her wrongs.(1862) It is a picture of vulgar pretence, by which her fair name has been besmirched and disgraced. Observing the love and reverence which her true servants may win from men, a base crew of ignorant fellows, trained in the lowest handicrafts, have forsaken them, to assume the garb and name of her real followers.(1863) It is a pleasant change from a life of toil and danger and hardship, to an easy vagabond existence, nor is the transformation difficult. A cloak and a club, a loud voice and a brazen face and a copious vocabulary of scurrilous abuse, these are all the necessary equipment. Impudent assurance has its usual success with the crowd, who are unable to see through the disguise. If any one attempts to challenge the claims of the impostors, he is answered with a blow or a taunt. And thus by terrorism or deceit, they usurp the respect which is due to the real philosopher, and manage to live in plenty and even in luxury. Nor is this the worst. For these pretended ascetics, who profess to scorn delights, and to endure all manner of hardness, are really coarse common sensualists, who go about corrupting and seducing. Many of them heap up a fortune in their wanderings, and then bid farewell to scrip and cloak and the tub of Diogenes. And so plain unlearned men come to regard the very name of philosophy with hatred and contempt, and all her work is undone, like another Penelope’s web.(1864)