Roman Stoicism: being lectures on the history of the Stoic philosophy with special reference to its development within the Roman EmpireArnold, Edward Vernon
Religion
Roman Stoicism: being lectures on the history of the Stoic philosophy with special reference to its development within the Roman Empire
Arnold, Edward Vernon
Stoics
=146.= The Stoics fancifully derive the word αἴσθησις (‘sensation’) from
εἴσθεσις (‘storage’); it is therefore, strictly speaking, the process
by which the mind is stored[16]; but it is also, from an opposite point
of view, the process by which the mind reaches out towards an external
object[17]. From the object (αἰσθητόν) proceed waves which strike upon
the sense-organ (αἰσθητήριον); this impact is called a ‘sensation’
in a narrower sense. At the same time there proceeds from the mind
(which is the ruling part or ‘principate’ of the soul), a ‘spirit’ or
thrill which goes out to meet this impact; and this spirit and its
operation are also called ‘sensation[18].’ As a result of the contact
of these two waves, and simultaneously with it, there is produced in
the soul an effect like the imprint of a seal[19], and this imprint is
the φαντασία or ‘mind-picture.’ That the process may be sound, it is
necessary that the intellect be in a healthy state, and further that
the organ of sense be healthy, the object really there, and the place
and the manner in accord[20]. But we must carefully distinguish between
the single sensation and the mind-picture. A flash of light, a cry, a
touch, a smell, a thrill of pleasure or pain, is always that which the
senses declare it to be[21]; here there is no possibility of error; so
understood ‘the sensations are always true[22].’ But if we go in each
case a step further; if we say ‘that is white,’ ‘this is sweet,’ ‘this is
musical,’ ‘this is fragrant,’ ‘that is rough,’ we are now dealing with
mind-pictures, not with ‘sensations’ in the strict sense[23]. And as to
the mind-pictures we agree with the Academics that things are not always
what they seem; ‘of the mind-pictures some are true, some are false[24].’
[Sidenote: The criterion of clearness.]
Public-domain text, read in full here on John Shaqi.
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