Women -- Italy -- Rome; Women -- Italy -- Rome -- Social life and customs
Although there is no writing of Agrippina's extant, we do have what
purports to be the speech in her defence which she made when accused by
Junia Silana with a design of inciting Plautus to effect a change in the
State, and, by marrying him, to regain her power in the commonwealth,
which Nero had taken out of her hands. In it all we see nothing but the
backbitings of two rancorous old women; but it was represented to Nero
as a horrible affair. Nero's fears were so excited that it was with
difficulty that he could be induced to allow his mother to survive until
morning and have an opportunity to make her own defence. We have her
speech as it is given by Tacitus. Possibly it is the historian's own
composition; but it is exactly what we might expect from the fierce old
empress-mother. And as it is certain that Seneca and Burrhus, to whom
it was addressed, would have with them shorthand writers, it is not
improbable that Tacitus took it from the official records. "I wonder
not," said Agrippina, "that Silana, who never bore a child, should be a
stranger to the affections of a mother; for, in truth, children are not
so easily renounced by their parents, as adulterers are changed by a
profligate. Nor, because Iturius and Calvisus, after having consumed
their whole fortunes, as a last resource pay back to an old woman their
services in undertaking my accusation, as an equivalent for their hire,
does it follow that I am to be branded with the infamy, or that Cæsar
should conceive the guilt of parricide. As to Domitia, I would thank her
for all the efforts of her enmity to me, if she strove to exceed me in
kindness to her nephew, my Nero. At present, by the ministration of
Atimetus, her minion, and the merry-andrew Paris, she is framing a farce
to fit for the stage. Where was she when I by my counsels obtained the
adoption of her nephew and my son into the Claudian house? when I
advanced his cause in every way necessary for getting him the
Empire?--Admiring her fishponds at Baiæ." If this is Agrippina's
composition, there is certainly no lack of force in it and she was
preëminently an adept in the use of innuendo. We would like to have seen
those _Memoirs_.
Public-domain text, read in full here on John Shaqi.
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