The moral conditions which characterized the period between the reigns of Tiberius and Nero are, in these days, impossible of adequate comprehension. It was a continuous Saturnalia, a perpetual reign of terror, a paroxysm of indecency. What renders the situation so amazing and so difficult to describe is its strange mixture of civilization and savagery, of art and anarchy. The atrocious cruelties which render the history of that time so terrible and the lust which makes it so revolting are not attributed to half-clad barbarians or ignorant Asiatics; they were participated in by men and women whose outward life was marked and distinguished by all the signs and appointments of culture. The Julias and the Poppæas of the age were women who lived in beautiful houses; they were surrounded by a magnificence of art such as never since has been witnessed; they were the students of a literature which the world has never ceased to admire. Nor was the extravagant wickedness of the time a revolt against law; on the contrary, everything was done in accordance with legal forms. Vistilia, the wife of a Roman knight, in order that she might be unrestrained in her lasciviousness, went before the ædiles and proclaimed herself a prostitute, the law considering that prostitutes were sufficiently punished by merely thus avowing their shame. Even when the innocent children of Sejanus were put to death for the misdeeds of their father, the little girl--who asked what she had done that was wrong and if they were going to whip her--must be outraged by the executioner before he strangled her; for it was unlawful to inflict capital punishment upon virgins. While such things were being perpetrated, the ladies of Rome were studying the Greek philosophers, reading their own Virgil, and improving their diction by an acquaintance with the elegant periods of Cicero. It was an age in which the arts of civilization were entirely divorced from the best impulses of humanity, an age when the highest mental attainments were joined with the lowest moral conditions. The depraved Messalina was contemporary with the philosophic Seneca; the conscienceless Agrippina the Younger was a student of letters and an author.