The Roman women wore ornaments in considerable profusion. These consisted principally of necklaces, arm bands, finger rings, and ear rings. Generally they were of gold, set with precious stones, and the workmanship was often of a most exquisite character. A necklace was found at Pompeii which was made of a band of plaited gold; on each half of the clasp there is a well-executed frog, and on the edges where the clasp joined were rubies, one of which still remains in its setting; suspended to the necklace are seventy-one small, artistically shaped pendants. Very many specimens of the jewelry worn by the women of ancient Rome are still in existence, and they indicate fine artistic taste on the part of the wearers, as well as great ability in design and execution on that of the makers. On the dressing table of the fashionable Roman lady there appeared a wealth and a variety of cosmetics and costly essences in boxes and receptacles delicately formed of ivory and precious metals, as well as many other appliances for the toilet; so that her advantages in these respects were probably in no way inferior to those of her fair successors in modern times. An age was drawing near which, among many other examples of its monstrous luxuriousness, gave birth to efforts to enhance feminine attractiveness--efforts which doubtless were as futile as they were foolish. The time, however, had already come when, notwithstanding that their manners were under the eye of such a censor as Cato, the women of Rome had entirely and forever abandoned their old simplicity of life. In the _Epidicus_ of Plautus, written at about the time of the disturbance over the Oppian law, the matrons were represented on the stage as though decked out with valuable estates; the cost of a cloak was the price of a farm.