This Roman bride is relieved of one grave anxiety which usually accompanies the anticipatory pleasure in an approaching modern wedding. It is not necessary for her to give any thought as to the color and fashion of her wedding dress. This was always the same among the Romans; and even if that worn by the maiden whose marriage is now being described should happen to be an heirloom from her great-grandmother, she need not fear that it is out of style. It consists of a long white robe, woven in a particular manner. If the circumstances of her family have improved, she may perhaps sew a purple fringe around the border; but that is absolutely the only change allowed. This robe will be fastened around her waist with a woollen girdle, white wool being always a symbol of chastity. This will be tied in a Hercules knot, to loose which, at the end of the ceremonies, will be the husband's privilege. Her hair, allowed to fall around her shoulders, on the wedding morn is parted with the head of a spear. Plutarch and other writers say that this custom had its origin in the rape of the Sabines, and betokened the fact that the first Roman marriages were brought about by capture, and that it accordingly also indicated that a wife should be in subjection to her husband. Over her head the bride wears a yellow or flame-colored veil, this hue being held to be of good significance. Her brow is also crowned with a chaplet of vervain, gathered and wreathed by her own hands, for this herb signifies fecundity. Her shoes are also of yellow, and so constructed as to make her appear taller than her real height. Thus attired, the bridal party go first to the temple, for the purpose of offering sacrifice, as Virgil says, "above all, to Juno, whose province is the nuptial tie." The victim considered as most appropriate is a hog; and care is to be taken to throw the gall of the animal as far away as possible, with the hope that in like manner all bitterness will be put far away from this conjugal union. Then, if the ceremony of _confarreatio_ is used, the couple, having returned to the bride's home, are seated side by side, with a sheepskin covering both chairs; by which it is signified that although the man and the woman occupy two different parts of the house, they are nevertheless united by a common bond. The chief priest now gives the wedded pair the sacred cake, which they eat together in token of the fact that they are henceforth to share with each other the necessaries of life. Although the modern wedding cake has developed into something far more elaborate than the simple Roman wafer of flour, water, and salt, the probability is that the former had its origin in the latter.