When I ran out, the moon had sunk below the ridge of the roof; the whole quadrangle of the Casa had turned black under the stars, with only a yellow glimmer of light falling into the well of the court from the lamp under the vaulted gateway. The form of the priest had gone out of sight, and a far-away knocking, mingling with my footfalls, seemed to be part of the tumult within my heart. Below, a voice at the gate challenged, “Who goes there?” I ran on. Two tiny flames burned before Carlos’ door at the end of the long vista, and two of Seraphina’s maids shrank away from the great mahogany panels at my approach. The candlesticks trembled askew in their hands; the wax guttered down, and the taller of the two girls, with an uncovered long neck, gazed at me out of big sleepy eyes in a sort of dumb wonder. The teeth of the plump little one--La Chica--rattled violently like castanets. She moved aside with a hysterical little laugh, and glanced upwards at me. I stopped, as if I had intruded; of all the persons in the sick-room, not one turned a head. The stillness of the lights, of things, of the air, seemed to have passed into Seraphina’s face. She stood with a stiff carriage under the heavy hangings of the bed, looking very Spanish and romantic in her short black skirt, a black lace shawl enveloping her head, her shoulders, her arms, as low as the waist. Her bare feet, thrust into high-heeled slippers, lent to her presence an air of flight, as if she had run into that room in distress or fear. Carlos, sitting up amongst the snowy pillows of eider-down at his back, was not speaking to her. He had done; and the flush on his cheek, the eager lustre of his eyes, gave him an appearance of animation, almost of joy, a sort of consuming, flame-like brilliance. They were waiting for me. With all his eagerness and air of life, all he could do was to lift his white hand an inch or two off the silk coverlet that spread over his limbs smoothly, like a vast crimson pall. There was something joyous and cruel in the shimmer of this piece of colour, contrasted with the dead white of the linen, the duskiness of the wasted face, the dark head with no visible body, symbolically motionless. The confused shadows and the tarnished splendour of emblazoned draperies, looped up high under the ceiling, fell in heavy and unstirring folds right down to the polished floor, that reflected the lights like a sheet of water, or rather like ice. I felt it slippery under my feet. I, alone, had to move, in this great chamber, with its festive patches of colour amongst the funereal shadows, with the expectant, still figures of priest and nun, servants of passionless eternity, as if immobilized and made mute by hostile wonder before the perishable triumph of life and love. And only the impatient tapping of the sick man’s hand on the stiff silk of the coverlet was heard.