We went swiftly down the colonnades for the last time, in the pitch
darkness and into the blackness of the vast archway. The clumping staff
of my heavy crucifix drew hollow echoes from the flagstones. In the deep
sort of cave behind us, lit by a dim lanthorn, the negroes waited to
unbar the doors. Castro himself began to mutter over his beads. Suddenly
he said:
“It is the last time I shall stand here. Now, there is not any more a
place for me on the earth.”
Great flashes of light began to make suddenly visible the tall pillars
of the immense mournful palace, and after a long time, absolutely
without a sound, save the sputter of enormous torches, an incredibly
ghostly body of figures, black-robed from head to foot, with large
eyeholes peering fantastically, swayed into the great arch of the hall.
Above them was the enormous black coffin. It was a sight so appalling
and unexpected that I stood gazing at them without any power to move,
until I remembered that I, too, was such a figure. And then, with an
ejaculation of impatience, Tomas Castro caught at my hand, and whirled
me round.
The great doors had swung noiselessly open, and the black night,
bespangled with little flames, was framed in front of me. He suddenly
unsheathed his portentous sword, and, hanging his great hat upon his
maimed arm, stalked, a pathetic and sinister figure of grief, down the
great steps. I followed him in the vivid and extraordinary compulsion of
the sinister body that, like one fabulous and enormous monster, swayed
impenetrably after me.
Public-domain text, read in full here on John Shaqi.
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