“What, what?” he said. “Oh, heavens and earth! there’s your girl. Of
course.... Hey, bo’sun, rig a whip and chair on the yardarm to take a
lady on board. Bear a hand. A lady! yes, a lady. Confound it, don’t lose
your wits, man. Look over the starboard rail, and you will see a lady
alongside with a Dago in a small boat. Let the Dago come on board, too;
the gentleman here says he’s a good sort. Now, do you understand?”
He talked to me a good deal more; told me that they had made a
prisoner--“a tall, comical chap; wears his hair like an old aunt of
mine, a bunch of curls flapping on each side of his face”--and then said
that he must go and report to Captain Williams, who had gone into his
wife’s stateroom. The name struck me. I said:
“Is this ship the _Lion?_”
“Aye, aye. That’s her. She is,” several seamen answered together,
casting curious glances from their work.
“Tell your captain my name is Kemp,” I shouted after Sebright with what
strength of lung I had.
What luck! Williams was the jolly little ship’s captain I was to have
dined with on the day of execution on Kingston Point--the day I had been
kidnapped. It seemed ages ago. I wanted to get to the side to look after
Seraphina, but I simply couldn’t remember how to stand. I sat on the
hatch, looking at the seamen.
They were clearing the ropes, collecting the lamps, picking up
knives, handspikes, crowbars, swabbing the decks with squashy flaps.
A bare-footed, bare-armed fellow, holding a bundle of brass-hilted
cutlasses under his arm, had lost himself in the contemplation of my
person.
“Where are you bound to?” I inquired at large, and everybody showed a
friendly alacrity in answer.
“Havana.” “Havana, sir.” “Havana’s our next port. Aye, Havana.”
The deck rang with modulations of the name.
I heard a loud, “Alas,” sighed out behind me. A distracted, stricken
voice repeated twice in Spanish, “Oh, my greatness; oh, my greatness.”
Then, shiveringly, in a tone of profound self-communion, “I have a
greatly parched throat,” it said. Harshly jovial voices answered:
“Stow your lingo and come before the captain. Step along.”
A prisoner, conducted aft, stalked reluctantly into the light between
two short, bustling sailors. Dishevelled black hair like a damaged
peruke, mournful, yellow face, enormous stag’s eyes straining down on
me. I recognized Manuel-del-Popolo. At the same moment he sprang back,
shrieking, “This is a miracle of the devil--of the devil.”
The sailors fell to tugging at his arms savagely, asking, “What’s come
to you?” and, after a short struggle that shook his tatters and his
raven locks tempestuously like a gust of wind, he submitted to be walked
up repeating:
“Is it you, Señor? Is it you? Is it _you?_”
Public-domain text, read in full here on John Shaqi.
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