I think they must have given him something to eat then. In my mind there
are many blanks in the vision of that scene, a vision built upon a few
words reaching me, suddenly, with great intervals of silence between, as
though I had been coming to myself out of a dead faint now and then.
A ferocious hum of many voices would rise sometimes impatiently, the
scrambling of feet near the edge; or, in a sinister and expectant
stillness, Manuel the artist would be speaking to his “beloved victim
Castro” in a gentle and insinuating voice that seemed to tremble
slightly with eagerness. Had he eaten and drunk enough? They had kept
their promises, he said. They would keep them all. The water had been
cool--and presently he, Manuel-del-Popolo, would accompany with his
guitar and his voice the last moments of his victim. Bursts of laughter
punctuated his banter. Ah! that Manuel, that Manuel! Some actually swore
in admiration. But was Castro really at his ease? Was it not good to eat
and drink? Had he quite returned to life? But, _Caramba, amigos_, what
neglect! The _caballero_ who has honoured us must smoke. They shouted
in high glee: “Yes. Smoke, Castro. Let him smoke.” I suppose he did; and
Manuel expounded to him how pleasant life was in which one could eat,
and drink, and smoke. His words tortured me. Castro remained mute--from
disdain, from despair, perhaps. Afterwards they carried him along clear
of the cornice, and I understood they formed a half-circle round him,
drawing their knives. Manuel, screeching in a high falsetto, ordered the
bonds of his feet to be cut. I advanced my head out as far as I dared;
their voices reached me deadened; I could only see the profound shadow
of the ravine, a patch of dark clear sky opulent with stars, and the
play of the firelight on the opposite side. The shadow of a pair of
monumental feet, and the lower edge of a cloak, spread amply like a
skirt, stood out in it, intensely black and motionless, right in front
of the cave. Now and then, elbowed in the surge round Castro, the guitar
emitted a deep and hollow resonance. He was tumultuously ordered to
stand up and, I imagine, he was being pricked with the points of
their knives till he did get on his feet. “Jump!” they roared all
together--and Manuel began to finger the strings, lifting up his voice
between the gusts of savage hilarity, mingled with cries of death. He
exhorted his followers to close on the traitor inch by inch, presenting
their knives.
“He runs here and there, the blood trickling from his limbs--but in
vain, this is the appointed time for the leap....”
Public-domain text, read in full here on John Shaqi.
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