Romance of Roman Villas (The Renaissance)Champney, Elizabeth W. (Elizabeth Williams)
History
Romance of Roman Villas (The Renaissance)
Champney, Elizabeth W. (Elizabeth Williams)
Art -- Italy; Legends -- Italy; Renaissance -- Italy
Malespini's scheme seemed at first likely to be crowned with success,
and having secured his seat in the Venetian post, Brandilancia naturally
imagined his troubles at an end; but shortly after leaving Orte, where
the road turns to the eastward for its climb over the Apennines, the
lumbering vehicle came to a sudden halt. Shouts and oaths without, the
shrieks of a woman at his side, and the opening of the door by a masked
man, formidably armed, sufficiently explained the situation.
The passengers on dismounting were relieved of their purses by the
bandits, but, with the exception of Brandilancia, were allowed to
proceed upon their journey. No explanation was offered for this
discrimination, but there was something familiar in the figure of the
leader, who, after pointing out Brandilancia, had ridden rapidly on in
advance of his men, and the captive wondered at the excellent
accoutrements of the band and the good quality of the horse which he was
compelled to mount.
They struck at once into a wild mountain gorge, avoiding villages and
farms, and when at noon the brigands halted for refreshments in a
little wood, and removed their masks, Brandilancia recognised no
familiar faces.
Remounting, the brigands pursued their way up a steep bridle path, their
destination a strong castle, perched high on a spur of the mountain. The
prisoner's heart sank as he noted its isolation and strength, for here a
captive might remain for years and finally die undiscovered.
But Brandilancia had not reckoned on the cupidity of his host. His
capture had been planned not by hatred, but in the hope of ransom, as
was explained to him by the brigand chief, into whose presence he was
led upon his arrival at the stronghold.
The man still wore his mask, but at the first word which he uttered
Brandilancia to his astonishment recognised the condottiere Radicofani.
Accosted by name, the Captain removed his mask, and coolly confronted
his prisoner.
"It is as well," he said, "that you should understand the situation.
Your flight and apparent escape remove my accountability to the Grand
Duke for your person. I should not have troubled myself further about
you, were it not that upon my empty-handed return to the villa the
Signorina Marie de' Medici very indiscreetly taunted me with having
allowed a far more important personage than the Earl of Essex to slip
unrecognised through my fingers. Just who you are she did not see fit to
divulge; but I gathered that you are of sufficient consequence for your
friends to be willing to pay handsomely for your release. You may
therefore write to them, and I will see that your letters reach their
destination on condition that you advise the fulfilment of my demands."
Public-domain text, read in full here on John Shaqi.
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