Romance of Roman Villas (The Renaissance)Champney, Elizabeth W. (Elizabeth Williams)
History
Romance of Roman Villas (The Renaissance)
Champney, Elizabeth W. (Elizabeth Williams)
Art -- Italy; Legends -- Italy; Renaissance -- Italy
I had been to infinite pains, as was but fitting since the Duke proposed
to present it to his betrothed, Margaret Duchess of Parma, daughter of
the Emperor Charles the Fifth, to whom he was to be married at Naples on
the return of her father from his glorious expedition against the
Turkish Corsairs. This marriage had been arranged for his "nephew" by
Pope Clement VII. on his pacification with the Emperor after the taking
of Rome, but its consummation had been hitherto delayed on account of
the tender age of the bride. Now, however, she was upon her way to meet
her father. Therefore the Duke requested me to serve as his messenger in
presenting these gifts, whose excellencies I of any person in the world
was most competent to explain and extol.
Instructed that the Duchess Margaret would rest upon her journey at the
villa which Raphael had built for the Pope upon the slopes of Monte
Mario, and which Clement had bestowed upon her as a part of her dowry, I
repaired thither before entering the gates of Rome.
I had been told by the Duke to ask upon my arrival not for the Duchess
but for Monna Afra, who had been installed as housekeeper of the villa
by the Pope when he was as yet only young Cardinal Giulio de' Medici,
and his personal affairs were not submitted to the glare which surrounds
the tiara.
Whatever these may have been, Monna Afra, though once a Moorish slave,
and of dark complexion and uncertain temper, was not without a certain
savage beauty, or would have been but for the marks of tattooing between
her eyes, and, though well advanced in years, carried herself erect with
a dignity worthy of royal descent.
She was dressed in the Moorish fashion, with a profusion of necklaces of
linked sequins of uncut precious stones and of large turquoises, some of
them I could judge of great value, though clumsily set. These necklaces
depended from beneath her gaily striped head-cloth upon her forehead and
also covered her bosom. Her dark blue robe was girdled by a golden belt
of curious workmanship, and she wore bangles upon her ankles with
bracelets of cheap blue glass upon her arms. Her hair, braided in a
multitude of fine plaits, was jet black and heavily perfumed. She wore
but one ear-ring, a hoop of gold in which twinkled a great diamond.
Public-domain text, read in full here on John Shaqi.
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