Romance of Roman Villas (The Renaissance)Champney, Elizabeth W. (Elizabeth Williams)
History
Romance of Roman Villas (The Renaissance)
Champney, Elizabeth W. (Elizabeth Williams)
Art -- Italy; Legends -- Italy; Renaissance -- Italy
I had a letter for her from the Duke, and as it has never been my
practice to deliver a missive of whose contents I am ignorant, lest I
might be deputed to give orders for my own execution, I had taken the
precaution to open it (having first made an impression of the seal so
that I could reseal it beyond possibility of detection), but all to no
avail for this letter was written in Arabic, of which language I have no
knowledge. I was in twenty minds to destroy it, professing that I had
lost it _en route_, but having calculated that honesty was the more
gainful part to play, I put my trust in my patron saint and boldly
presented it. By so doing I came into possession of an important secret,
for on reading the letter Monna Afra exclaimed: "My son informs me that
you are an unprincipled rogue whose life he holds in his hands, on
account of certain murders which you have committed, and that therefore
I need not fear to trust you with our private affairs."
The opening words of this ungracious speech caused my spirit to leap
within me, for Duke Alessandro far from confiding to me or to any one
else the secret that he was the child of a mulattress, and in all
probability the bastard of the Pope, had persistently maintained that he
was the legitimatised son and rightful heir of the last Duke of
Florence, and his mother a princess whose name would in time be
divulged, and this notwithstanding that his dark complexion proclaimed
him of Oriental race.
I dissimulated my exultation, swore loyalty to my patron's honoured
mother, and showed her the portrait of her son, with which she was
greatly pleased.
"You shall give this to the Duchess, later," she declared, taking the
casket from me, "but first I desire you to copy the medallion for me,
and to say nothing of this commission."
The wish to possess the likeness of her son seemed so natural to a
mother and so flattering to me that I readily consented to oblige her,
being the more content to do so that I found myself extremely well
lodged and nourished in one of the dependencies of the villa, with the
suite of noble attendants appointed to wait upon the Duchess.
Among these I have cause to remember with the utmost vividness a
beautiful page, the grandson of Cardinal Farnese, who waited upon
Margaret as her train-bearer. This boy's name was Ottavio, and I was
drawn to him from the first for his character matched the exceeding
loveliness of his lineaments.
Monna Afra from some strange whim had desired me to copy the Duke's
portrait upon glass, and thinking possibly that I might break the slip,
had given me two of precisely the same size. On one of these I was
impelled to paint for myself the miniature of this adorable child in the
court costume of white satin doublet and white silk hose which he was to
wear at the wedding of the Duchess. To this circumstance was due a
mischance, which while it seemed to work me ill at the time was in the
end productive of good.
Public-domain text, read in full here on John Shaqi.
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