Romances of the old town of EdinburghLeighton, Alexander
General
Romances of the old town of Edinburgh
Leighton, Alexander
Edinburgh (Scotland) -- Fiction; Short stories, English -- Scottish authors
In her new situation Effie Carr--now Mrs Lindsay--performed all the
duties of a good and faithful wife; by an effort of the will no doubt,
though in another sense only a sad obedience to necessity, of which
we are all, as the creatures of motives, the very slaves. But the old
image resisted the appeals of her reason, as well as the blandishments
of a husband’s love. She was only true, faithful, and kind, till
the birth of a child lent its reconciling power to the efforts of
duty. Some time afterwards John Carr died--an event which carried in
its train the subsequent death of his wife. There was left to the
son-in-law a dwindling business, and a very small sum of money; for the
father had met with misfortunes in his declining years, which impaired
health prevented him from resisting. Time wore on, and showed that
the power of the martyr-spirit is not always that of the champion of
worldly success; for it was now but a struggle between George Lindsay,
with a stained name, and the stern demon of misfortune. He was at
length overtaken by poverty, which, as affecting Effie, preyed so
relentlessly upon his spirits, that within two years he followed John
Carr to the grave. Effie was now left with two children to the work
of her fingers, a poor weapon wherewith to beat off the wolf of want;
and even this was curtailed by the effects of the old crime, which the
public still kept in green remembrance.
Throughout, our story has been the sensationalism of angry Fate,
and even less likely to be believed than the work of fiction. Nor
was the vulture face of the Nemesis yet smoothed down. The grief of
her bereavement had only partially diverted Effie’s mind from the
recollections of him who had ruined her, and yet could not be hated by
her, nay, could not be but loved by her. The sensitised nerve, which
had received the old image, gave it out fresh again to the reviving
power of memory, and this was only a continuation of what had been a
corroding custom of years and years. But as the saying goes, it is a
long road that does not offer by its side the spreading bough of shade
to the way-worn traveller. One day, when Effie was engaged with her
work, of which she was as weary as of the dreaming which accompanied
it, there appeared before her, without premonition or foreshadowing
sign, Robert Stormonth, of Kelton, dressed as a country gentleman,
booted, and with a whip in his hand.
“Are you Effie Carr?”
The question was useless to one who was already lying back in her chair
in a state of unconsciousness, from which she recovered only to open
her eyes and avert them, and shut them and open them again, like the
victim of epilepsy.
Public-domain text, read in full here on John Shaqi.
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