Romances of the old town of EdinburghLeighton, Alexander
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Romances of the old town of Edinburgh
Leighton, Alexander
Edinburgh (Scotland) -- Fiction; Short stories, English -- Scottish authors
There are words which stimulate and confirm--there are others that
seem to kill the nerve and take away the sense, nor can we ever
tell the effect till we see it produced; and so we could not have
told beforehand--nay, we would have looked for something quite
opposite--that Mysie, shrinking and irritable as she was by nature, was
saved from a faint, (which had for some moments been threatening her,)
by the cruel insult which thus had been added to her misfortune. She
had even power to have recourse to that strange device of some natures,
that of “affecting to be not affected;” and, casting a glance at the
fine lady, she turned and went away without uttering a single word.
But who knows the pain of the conventional concealment of pain, except
those who have experienced the agony of the trial? Even at the moment
when she heard that George Balgarnie was to be married, and that she
came to know that she had been for weeks sewing the marriage dress of
his bride, she was carrying under her heart the living burden which was
the fruit of her love for that man. Yet not the burden of shame and
dishonour, as our story will show, for she was justified by the law
of her country--yea, by certain words once written by an apostle to
the Corinthians, all which may as yet appear a great mystery; but, as
regards Mysie Craig’s agony, as she staggered down Miss Gilroy’s stairs
on her way home, there could be no doubt or mystery whatever.
Nor, when she got home, was there any comfort there for the daughter
who had been so undutiful as to depart from her mother’s precepts, and
conceal from her not only her unfortunate connexion with a villain,
but the condition into which that connexion had brought her. But she
was, at least, saved from the pain of a part of the confession, for
her mother had learned enough from Miss Allardice to satisfy her as to
the cause of her daughter’s change from the happy creature she once
was, singing in the long nights as she wrought unremittingly at her
beautiful work, and the poor, sighing, pale, heart-broken thing she
had been for months. Nor did she fail to see, with the quick eye of a
mother, that as Mysie immediately on entering the house laid herself
quietly on the bed, and sobbed in her great agony, that she had learned
the terrible truth from Miss Gilroy that the robe she had embroidered
was to deck the bride of her destroyer. Moreover, her discretion
enabled her to perceive that this was not the time for explanation,
for the hours of grief are sacred, and the heart must be left to do its
work by opening the issues of Nature’s assuagement, or ceasing to beat.
So the night passed, without question or answer; and the following
day, that of the marriage, was one of silence, even as if death had
touched the tongue that used to be the medium of cheerful words and
tender sympathies--a strange contrast to the joy, if not revelry, in
Advocate’s Close.
Public-domain text, read in full here on John Shaqi.
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