Romances of the old town of EdinburghLeighton, Alexander
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Romances of the old town of Edinburgh
Leighton, Alexander
Edinburgh (Scotland) -- Fiction; Short stories, English -- Scottish authors
And straightway the three women were by the bedside of the patient,
in whose throat Death was already sounding his rattle, after the last
effort of exhausted nature to give to the world a life in exchange for
her own; and Mr Whitelaw was there too to witness the dying throes
of his wife, with perhaps the thought in his mind that the gods are
pitiless as well as foolish, for what was the use of giving him a dead
child in recompense for a dead mother, and taking away from him, at the
very same moment, the said two thousand merks of good Scotch money.
Wherein, so far, Mr Whitelaw was himself unjust to these much abused
gods; but he did not know as yet that the child had cried, and who
knows what consoling effect that circumstance might have had upon one
who was what Pindar calls “a man of money.” At least, we will give to
any man more than one of these merks who will show us out of the great
“Treasury of Evils,” mentioned by the Greek poets, any one which cannot
be ameliorated by money. And so Mr Whitelaw heard, in the last expiring
breath of Mrs Janet Monypenny the departing sign of the loss of the
three greatest good things of this world--a wife, a child, and a tocher.
But the moral oscillation comes round as sure as that of the pendulum,
and in accordance with that law Mr Whitelaw was, within a short time
after the death of his wife, told by Mrs Gilchrist that the child had
made the much-wished-for sign of life. A communication, this, very
easily accounted for, but we do not undertake to explain why, when Mr
Whitelaw heard it, he was scarcely equal to the task of preventing
an expression upon his sorrowful countenance which an ill-natured
person would call a smile. Nor, indeed, is there any way of explaining
so inexplicable a phenomenon, except by having recourse to the fact
mentioned by Burns, that “man is a riddle.” A solution which will also
serve us when we further narrate that this small wail of the child
lightened wonderfully Mr Whitelaw’s duty in getting all things arranged
for the funeral, including the melancholy peculiarity of getting the
coffin made that was to contain a mother and her first-born. Nay, it
enabled him even at the funeral to meet the triumphant look of his
brother-in-law, Writer George, as it clearly said, even in the midst of
his tears, “You owe me two thousand merks;” for we are to remember that
Mr Whitelaw, in exchange for the writer’s perfidy in not mentioning to
him the necessity of a contract of marriage, had with a spice of malice
concealed from him the fact of the child having been heard to cry, and
then it was natural for the writer to suppose that the child had been
born dead.
Public-domain text, read in full here on John Shaqi.
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