Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
Instances of gallant behaviour are not rare in Ovid’s poetry; but the
didactic tone in which they are detailed makes it almost appear as if
the poet were recommending to his countrymen the value of a nice little
discovery of his own which would convert crude love-making into a fine
art. Never be so ungallant—he says in effect, though he does not use the
word—as to refer to a woman’s faults or shortcomings. Compliment her, on
the contrary, on her good points—her face, her hair, her tapering
fingers, her pretty foot. At the circus applaud whatever she applauds.
Adjust her cushion, put the footstool where it ought to be, and keep her
comfortable by fanning her. And at dinner, when she has tasted the wine,
quickly seize the cup and put your lips to the place where she has
sipped.
Unfortunately this morning dawn of Romantic Love, as depicted in the
pages of Ovid, was soon hidden beneath the dark clouds of mediæval
barbarism, not to emerge again till a thousand years later.
MEDIÆVAL LOVE
CELIBACY _VERSUS_ MARRIAGE
Were I asked to name the four most refining influences in modern
civilisation I would answer: Women, Beauty, Love, and Marriage. Were I
asked to name the essence of the early mediæval spirit I would say:
Deadly Enmity toward Women, Beauty, Love, and Marriage.
This pathologic attitude of the mediæval mind was at first a natural
reaction against the incredible depravity and licentiousness that
prevailed under the Roman Empire. But the reaction went to such
preposterous extremes that the resulting state of affairs was even more
degrading and deplorable than the original evil. It was like inoculating
a man with leprosy to cure him of smallpox. It was bad enough to treat
marriage as a _farce_, as did the later Romans, among whom there were
women who had their eighth and tenth husband, while one case is related
of a woman “who was married to her twenty-third husband, she herself
being his twenty-first wife”; while the public looked upon this case as
a “match” in a double sense, the survivor being publicly crowned and
feted as champion. But a thousand times worse was the mediæval notion
that marriage is a _crime_. And this preposterous notion—that a relation
on which all civilisation is based, which is sanctioned even by many
animals and ignored by only the very lowest of the savages—this criminal
notion was foisted on the world by the fanatical priesthood in whose
hands unfortunately Christianity was placed for centuries, to be
distorted, vitiated, and utilised for political, criminal, and selfish
purposes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account