Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
The shock which follows this transition from the romance of Courtship to
the realism of conjugal life is much the greatest in the case of the
Prude. The Coquette need not be considered; she was born without a
heart, and marriage will not give her one. But the Prude often owes her
unnaturalness solely to an absurd educational system, and may be at
heart the best of women. Previous to marriage she is taught to rely on
passive Coyness to arouse the desires of man. After marriage, when she
yields herself up, body and soul, she loses this weapon, the lover
recovers his courage and lowers the pitch of his devotional ecstasy.
This alarms the girl, who eagerly endeavours to recover the romantic
Adoration by trying to please and coax and caress. But pleasing—or
_active_ fascination—being an art which she never has practised, she
does it in a bungling way—overdoes it, in fact—thus increasing the
husband’s indifference. Had she learned the art of refined Flirtation,
_i.e._ active fascination with wit and accomplishments, this domestic
tragedy would never have been enacted. Her skill and tact would then
have enabled her to preserve her husband’s Gallantry, by supplying a
constant variety and novelty in those feminine charms and graces in
which a superior woman is as fertile as a man of genius in ideas.
By her extremely reserved and passive attitude during Courtship the
Prude not only mars the probabilities of conjugal happiness, she also
weakens her own Love directly, through Coyness, and indirectly, by
making the man too servile and over-anxious to worship. For if a man
immediately yields up his sword and proclaims himself fatally stabbed by
a white wench’s black eye, there can be in her mind none of those small
obstacles and doubts which, like short absences, increase Love.
Love-making should be a duel of wit and mutual fascination. The Flirt
does her part of the fencing; the Prude simply hides behind her shield
and waits to see if the man can break it, or coax her to throw it away.
With a Flirt a man need not be a servile worshipper, but he may be a
Flirt likewise: which is a much more desirable attitude, not only
because male flirtation will fan the woman’s Love into a brighter flame
through the stimulus of uncertainty, but also because it enables the man
to preserve his dignity. Hence Beatrix’s pointed advice to Henry Esmond:
“Shall I be frank with you, Harry, and say that if you had not been down
on your knees, and so humble, you might have fared better with me? A
woman of my spirit, cousin, is to be won by gallantry and not by sighs
and rueful faces. All the time you are worshipping I know very well I am
no goddess, and grow weary of the incense.”
Public-domain text, read in full here on John Shaqi.
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