_Is First Love best?_—If Love’s Monopoly lasted for life, if passion were not transient, it would follow that most men would marry, or endeavour to marry, the schoolgirls who were the first object of their amorous attentions. But is there one man in a hundred, is there one in three hundred, who marries his first Love? Cases are known of men of genius who fell in love at an age varying from six to nine years; and there are few lads, in America at any rate, and if they have an artistic temperament, who do not have their cases of “calf-love,” beginning with their tenth or twelfth year. A boy’s first Love is a girl of about his own age, towards whom he shyly makes his way by offering her an apple, a bunch of wild strawberries, or a large hailstone picked up during a storm before her eyes, to impress her with his reckless Gallantry and courage. The second and third loves—for schoolboys are fickle, and schoolgirls more so—are probably not different in character from the first. At fifteen and sixteen, boys scorn girls of their own age, and fall in love with young married women, Troubadour-like. Perhaps the Dulcinea is a Spanish beauty, with large thrilling black eyes, who, seeing the poor cub’s infatuation, teases and tortures him to distraction with her unfathomable wealth of fascination. And let no one imagine that these cases of early passion are anything short of true Romantic Love. For follow that poor boy enamoured of the Spanish brunette; see him hiding himself in a lonely forest, gazing with rapture on her photograph—perhaps only with his mind’s eye—throwing himself on the ground in an anguish of tears, wishing that either _he_ was dead ... or her husband ... and behaving altogether like a premature Werther. Such is calf—beg pardon—first Love. And is this first Love best of all? Perhaps, in one respect, and in one only: it believes in its own unchangeableness. Goethe remarks in his autobiography that nothing is so calculated to make us disgusted with life “as a return of Love.... The notion of the eternal and infinite, which forms its basis and support, is destroyed; it appears to us transitory, like everything that recurs.” _Heine on First Love._—Heinrich Heine, whose poetry is next to Shakspere’s the most valuable depository of Modern Love, enlarges on this question in his fragmentary but admirable Analysis of Shakspere’s Female Characters: "Love is a flickering flame between two darknesses ... [the dots are in the original]. Whence comes it?... From sparks incredibly small.... How does it end?... In nothingness equally incredible.... The more raging the flame, the sooner it is burnt out.... Yet that does not prevent it from abandoning itself entirely to its fiery impulses, as if this flame were to burn eternally....