How crudely utilitarian the conjugal bond is among primitive men may be inferred from Mr. Wallace’s remarks already quoted as to the motives which guide the maidens of certain Amazon-valley tribes in choosing their husbands. There is, he says, “a trial of skill at shooting with the bow and arrow, and if the young man does not show himself a good marksman, the girl refuses him, on the ground that he will not be able to shoot fish and game enough for the family.” With the ancient “classical” nations there were, unless the poets have strongly idealised their characters, examples of conjugal affection hardly differing from the most refined modern instances. Owing to the then prevalent contempt for the female mind, however, such cases cannot be accepted as fair samples of the “general article”; and they only allow us to infer that, as with Love and with genius, so with conjugal affection, there were some early perfect instances anticipating by many centuries the general course of emotional evolution. In the dark and warlike mediæval ages Conjugal Love, on the woman’s side, was apparently little more, as a rule, than a sense of devotion to her husband based on her need of protection against barbarous enemies; and what it was on the husband’s side may be inferred from his stern and often tyrannic rule in his own house, which was calculated to breed in his wife and children fear but neither conjugal nor filial affection. In modern Conjugal Affection the elements are as diverse and as variously intermingled as in Love, if not more so; and it would be as difficult to find two cases of conjugal love exactly alike as two human faces, or two leaves in a forest. One man cherishes his wife chiefly on account of the home comfort she provides—the neat and tasteful domestic interior, the well-cooked dinners, the economic attention to household affairs, etc. Another man’s pride in his spouse is based on her conversational skill, her diplomatic art of asserting her place among the upper ten in society, and of adorning her drawing-rooms with the presence of prominent people of the day. A third husband loves his wife for her artistic accomplishments or her personal charms. Still another, an author, is devoted to his spouse because she cleverly assists his labours by criticism and suggestion, and still more because she takes such a sympathetic interest in his creations, and _really_ thinks that no one since Shakspere has written like her own dear Adolphus. These and a thousand like circumstances, with their attendant feelings, enter into the highly complex group of emotions subsumed under the name of Conjugal Love. Yet, since any one of these feelings may be absent without extinguishing Conjugal Affection, they cannot be regarded as its essentials or framework, but only as colouring material.