Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiaritiesFinck, Henry T.
Science
Romantic Love and Personal Beauty: Their development, causal relations, historic and national peculiarities
Finck, Henry T.
Beauty, Personal; Love
The fact that a proposal is the sincerest compliment a man can pay a
woman, contributes not a little to make a second proposal more
acceptable. A third should rarely be attempted. The first proposal may
have been refused more from momentary embarrassment than from real
indifference. The second, being weighted by reflection, is generally
final, though numerous exceptions have occurred; yet in such cases it is
probable that the woman gives her hand without her heart, having at last
discovered that her heart is impervious to all Love. There are hundreds
of thousands of such women, and some of them are very sweet and pretty.
The fault lies in their shallow education.
FEIGNED INDIFFERENCE
Of every ten disappointed lovers seven might say: Had I been a less
submissive slave, I might have been a more successful suitor.
“It is a rule of manners,” says Emerson, “to avoid exaggeration.... In
man or woman the face and the person lose power when they are on the
strain to express admiration.”
In other words, one of the ways of winning Love is through stolidity and
indifference, real or feigned.
Were women the paragons of subtle insight they are painted, they would
favour those who are most visibly affected by their charms, as being
best able to appreciate and cherish them. There are such women—a few;
but the majority are partial coquettes, to whom Love is known only as a
form of Vanity, who neglect a man already won, and reserve their
sweetest smiles for those that seem less submissive. The artificial
dignity under which so many young society men hide their mental vacuity
has an irresistible fascination for the average society girl. And the
high collar, which helps to keep the head in a dignified position,
unswerved by emotion, is responsible for innumerable conquests.
Ergo, to win a society girl’s heart, wear a high collar, appear awfully
dignified and stolid, and show not the slightest interest in anything.
Above all, if you are of superior intelligence, carefully conceal the
fact. Brains are not “good form” in society; for what’s the use of
having flint where there is no steel to strike a spark? “Stolidity,”
says Schopenhauer, “does not injure a man in a woman’s eye: rather will
mental superiority, and still more genius, as something abnormal, have
an unfavourable influence.”
A passage from Diderot’s _Paradox of Acting_ (Pollock’s translation) may
be cited in illustration of Schopenhauer’s remark.
Public-domain text, read in full here on John Shaqi.
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